皮耶·蘇拉吉:《黑色裡的曙光》| Pierre Soulages: Master of Dark paintings| by JASMINE CHAU

試幻想,一副漆黑的油畫與你迎面相見,你會聯想到什麼?
極其抽象?
不解?
似曾相識?

If you were to describe 2020 in one colour, what would that be?
Would black be your answer? If so, this predictable response is normal as culture and society has correlated black with countless negative connotations.

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一名小偷歉疚的自剖 | THE UNAPOLOGETIC THIEF: SWEET AND SOUR | by KATHARINE TSANG


當我籌備作品時,作曲這個念頭經常在我腦海出現,但我不擅長唱歌。母親建議我去參加歌唱班,改善肺功能之餘,或許可以實踐我不切實際的志向。

I think about songwriting a lot when I plan my work. However, I cannot sing. My mother suggested that I should take singing lessons because it would help to strengthen my lungs and perhaps to achieve this unrealistic ambition of mine. 

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表現主義藝術家之死 | by 趙氏BABY

大環境小氣候中,相信還有美的可能,才不會被醜陋打敗。層疊的色彩恍若世界的重,率性的筆觸乍現生命的輕。斑斕的顏色和率性的筆觸,展現了藝術家對自然之美所感受的喜悅與真誠。耳聞即樂,目遇成色,心馳為愛。對周肅磐而言,這些都是他日接日、周復周,甚至是月連月、年延年,與周遭大自然觀照對話的色彩印記。

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