過去與現在不是兩個點，而是一條線。過去與現在的交流，不只僅於教科書；許多香港藝術家對香港的過去，現在，與未來充滿這嚮往與想像。在一件過去的藏品身上，在創作者眼裡是一個又一個的故事；在香港藝術館展出的《原典變奏——香港視點》，14位香港藝術家共展出了14件精選館藏，各以現代的方式回應了過去香港不同的面貌。

Past and present, they are not two points, but lie on a line. The communication between the past and the present should be limited to textbooks. Many local Hong Kong artists are extremely curious and creative about the past, the present, and the future of Hong Kong. The exhibition “Classic Remix: The Hong Kong Viewpoint” at HKMOA included 14 collections of 14 Hong Kong artists, responding to different sides of the old Hong Kong with different modern ways. 

自1997年，香港是在地球上唯一一個執行一國兩制的城市；一國兩制，從根本上是一個實驗，沒有前車之鑑，亦沒有後事之師。這不單單只是政治層面上的一種生態，從民生，到藝術創作，都是一個陌生且獨特的環境。

Since 1997, Hong Kong is the only city on earth that operates “One Country, Two Systems”; this system is in fact an experiment in nature, there is no prior history nor reference to refer to, it is literally a new and experimental concept. This is not only regarding certain aspects of politics but also from daily lives to art creation, the system creates a strange and unique environment. 

若你是一個貪心的觀眾，喜歡探索各個類型和不同媒體的藝術，必定不能錯過由香港畫廊協會於大館所舉辦的的UNSCHEDULED展覽。

If you recognise yourself as an insatiable audience, never tired of exploring arts of different forms and media, you cannot miss out the latest exhibition at Tai Kwun UNSCHEDULED  by the Hong Kong Art Gallery Association. 

愛美，不是現代人的專利。人類基因裡對美和裝飾的執著，在一件件精細工藝的古董收藏品中展露無遺。

The pursuit of beautiful things in human genetics is demonstrated in exquisite antiques at Liang Yi Museum. 

2019年的最後六個月，讓周俊輝最為終身難忘和刻骨銘心。周俊輝的《背影》將他的所見所聞濃縮到小小的畫布，讓許多香港人身同感受。

In response to the events in the last six months of 2019, Chow Chun Fai condensed his experience and emotions into a series of small paintings: “Portraits from Behind”.

何謂好的藝術？何謂好的藝術發展的面向？就對於藝術的品評和香港藝術發展的憧憬，均是惹來不少爭議性的話題。

What is the definition of good art? What is the vision of good arts development? The evaluation of arts and the development of arts in Hong Kong are among the most controversial issues. 

中國藝術的發展源遠流長、多姿多采。但在現今缺乏的藝術平台和媒界下，很多人對中國藝術都一概不知。

Chinese art contains a long and varied history full of complications. However, in the lack of art platforms today, many people do not know much about it.

一間畫廊能夠突圍而出不單單靠名氣，更著重於創辦人對藝術的哲理，才能在不斷變化的藝術市場立足。

An art gallery’s success hinges not only on its reputation, but the founder’s philosophies on art is also indispensable to gaining a foothold in the ever-changing art industry.

一新美術館 於即日至5月2日舉行《華人油畫與傳統》展覽，展出共46幅出自二十世紀至當代的24位華人藝術家，包括傳奇女畫家潘玉良、被譽為「東方馬諦斯」的丁衍庸、「留法三劍俠」吳冠中、朱德群和趙無極，以及沈平、林鳴崗、吳松、廖井梅等多位當代香港畫家。

Sun Museum is pleased to present the exhibition “Chinese Tradition in Western Oil” from 21 February to 2 May 2020.