♟️由叢林走進神話:TOMORROW MYTH 以《Jungle King 鬥獸棋》重塑亞洲經典棋藝♟️From Jungle to Mythology: TOMORROW MYTH Reinvents Asian Animal Chess with Jungle King

🐾 還記得小時候玩過的「鬥獸棋」嗎?那款大象怕老鼠、獅子稱霸叢林的傳統棋藝,承載著亞洲幾代人的集體記憶。香港設計單位 llab design ltd 認為,這份記憶值得更精緻的對待——於是在旗下 IP 品牌 TOMORROW MYTH | 明日神話 之下,推出全新力作《Jungle King 鬥獸棋》,以東方古籍《山海經》為靈感,重新定義這款經典對弈遊戲。

🐾 Remember Animal Chess? That humble board game we all played as children, where elephants feared mice and lions ruled the jungle? Hong Kong design studio llab design ltd has decided that this collective Asian memory deserves far more than flimsy paper boards and flat printed icons. Under its IP brand TOMORROW MYTH | 明日神話, the studio presents Jungle King — a meticulously recrafted edition inspired by the ancient classic Shanhaijing (Classic of Mountains and Seas).

Continue reading →

把藝術帶回家:《Snapshots》坪洲青年藝術展的15元公益實驗|ART TO GO: SNAPSHOTS TURNS YOUTH CREATIVITY INTO COMMUNITY ACTION

投入三枚五元硬幣,就能從自動售貨機帶走一張香港小食水彩版畫——《Snapshots》把青年創作、互動藝術與公益行動,一起帶到坪洲。

Drop three HK$5 coins into a vending machine and take home a watercolour print of a Hong Kong snack—Snapshots brings youth creativity, interactive art and community action together in Peng Chau.

Continue reading →

《傳統新象》:藝倡畫廊的當代文人畫四重奏|TRADITION RENEWED: FOUR CONTEMPORARY LITERATI MASTERS AT ALISAN FINE ARTS

四位藝術家,同樣從中國文人畫傳統出發,卻走出了截然不同的道路。《傳統新象》匯聚陳家泠、姜寶林、盧輔聖與彭先誠的作品,回望他們自1980年代以來如何以各自的筆墨語言延續、轉化並拓展中國水墨,讓「傳統」不只是被保存,而是在不同世代中持續生長。

Four artists, one shared literati tradition, and four very different paths. Tradition Renewed brings together works by Chen Jialing, Jiang Baolin, Lu Fusheng and Peng Xiancheng, tracing how their distinctive approaches have continued to transform and expand Chinese ink painting since the 1980s. Rather than simply preserving tradition, their works show how it can continue to evolve across generations.

Continue reading →

當歌詞化成水墨:鄭國江筆下的詩意與歌影|WHEN LYRICS MEET INK: CHENG KOK KONG’S POETIC WORLD

《風繼續吹》、《似水流年》、《分分鐘需要你》——我們熟悉的是鄭國江筆下的歌詞;這一次,不妨放下耳機,看看他如何把同樣的詩意寫進水墨與書法之中。

Wind Blows On, Years Flow Like Water, Need You Every Minute—we know Cheng Kok Kong through the lyrics that have accompanied generations. This time, put down your headphones for a moment and discover how the same poetic sensibility finds its way into ink and calligraphy.

Continue reading →

縱使我遺忘了自己的名字:尋找真實的自我 — The Hartz Project畫廊群展 | Even Though I Forgot My name: Find our true selves — The Hartz Project Gallery Group Exhibition

當我們拋開外界賦予的名字與身份,如何尋找真正的自己?

The Hartz Project呈獻於M Place新空間的開幕首展《縱使我遺忘了自己的名字》回答了這個問題。是次展覽匯聚七位亞洲女性藝術家:唐咏琪,劉新,鄔湘婕,Kyungmin Jean Lee,Alexis Jang,如心與Goyona Jung,共同探索自我發現的錯綜幾何,並探尋當外界喧囂退去、身上的標籤消解之時,靈魂究竟還剩下什麼。

When we let go of the names and identities the world has given us, how do we find our true selves?

The Hartz Project is pleased to present Even Though I Forgot My Name, the inaugural exhibition at its new gallery space at M Place in Hong Kong. This group show features seven Asian female artists: Yongqi Tang, Liu Xin, Xiangjie Rebecca Wu, Kyungmin Jean Lee, Alexis Jang, Ruxin, and Goyona Jung. The exhibition explores the intricate geometries of self-discovery, questioning what remains of the soul when external noise fades and the labels we carry dissolve.

Continue reading →

當初音未來遇上當代藝術:Art of Miku 台北展的角色重釋| WHEN HATSUNE MIKU MEETS CONTEMPORARY ART: REINTERPRETING A VIRTUAL ICON IN ART OF MIKU TAIPEI

初音未來可以被重新想像成多少種模樣?她作為創作歌聲的軟體,不但成為跨越音樂、插畫與流行文化的虛擬角色。如今,她更是走進當代藝術的展覽,在不同藝術家的筆下展現全新的面貌。 

How many different forms can Hatsune Miku take? She was originally a software programme that allowed users to create songs by entering lyrics and melodies, but she has gradually become a virtual character that moves across music, illustration and popular culture. Now, she enters the exhibition space of contemporary art, taking on new appearances through the eyes of different artists. 

Continue reading →

熱浪:盛夏的療癒與警示 — 10號贊善里畫廊群展 | HEATWAVE: Summer’s Healing and Warning — 10 Chancery Lane Gallery Group Exhibition

夏天,是陽光與假期的季節。但在這片燦爛之下,藝術家看見的,還有一層更深的現實。

10號贊善里畫廊呈獻群展《熱浪》,匯聚二十位藝術家,以繪畫、攝影、雕塑、絲印版畫與紡織品,捕捉盛夏的蓬勃生機——同時提醒我們:氣候變遷從未遠離。展覽邀請觀眾把目光從數位螢幕移開,重新感受自然與人之間的共生關係。

Summer is a season of sunshine and holidays. But beneath this radiance, artists see a deeper reality.

10 Chancery Lane Gallery presents “HEATWAVE,” bringing together twenty artists across painting, photography, sculpture, silkscreen, and textiles to capture the vibrant energy of summer — while reminding us that climate change has never been far away. The exhibition invites us to look beyond our screens and reconnect with the fragile relationship between humanity and nature.

Continue reading →

一頁一味:PMQ 味道圖書館「食譜藏珍」中的時代味道|ONE PAGE, ONE TASTE: THE FLAVOURS OF TIME IN PMQ TASTE LIBRARY’S “TREASURED RECIPES”

食譜只是教人煮菜的工具嗎?PMQ 味道圖書館全新企劃展覽「食譜藏珍」,由字字研究所出版人呂嘉俊擔任客席策展人,透過逾 20 部珍貴食譜,帶領觀眾從家常味道、歷史見證、大師料理與創意啟蒙之中,重新理解飲食背後的文化記憶與想像。

Are recipes merely tools for teaching us how to cook? PMQ Taste Library’s new exhibition, Recipes as Treasures, is guest-curated by Michael Lui, publisher of Word by Word Collective. Through more than 20 treasured cookbooks, the exhibition invites visitors to explore home cooking, historical records, master recipes and creative inspiration, opening up new ways to understand and imagine the culture behind food.

Continue reading →

未知已登陸:Barminski 的紙皮機場與外星來客 | THE UNKNOWN HAS LANDED: BARMINSKI’S CARDBOARD AIRPORT OF ALIEN VISITORS

如果外星人不是從天而降,而是早已藏身於安檢站、候機廳與洗手間之中,你還能若無其事地登上下一班航班嗎?美國藝術家 Barminski 以紙皮打造一座 1:1 比例的星際機場,讓觀眾在熟悉的登機程序中,一步步進入充滿陰謀、幽默的旅程。

What if aliens are not descending from the sky, but have already been hiding in security checkpoints, departure lounges and restrooms? Could you still board your next flight as if nothing had happened? American artist Barminski builds a full-scale cardboard airport, guiding visitors through familiar airport routines and slowly into a journey filled with conspiracy and humor.

Continue reading →

當傳統水墨遇上西方表現主義:朱新建筆下「新文人畫」的慾望與超脫 | DESIRE IN INK: ZHU XINJIAN BETWEEN EXPRESSIONISM AND LITERATI PAINTING

文人畫一定要表現清高,描畫山水和花鳥來寄情抒懷嗎?朱新建以傳統水墨碰撞西方表現主義,讓女性情慾、生活景致與世俗日常走進筆墨畫之中,打破人們對傳統水墨的既定想像,也展示了「新文人畫」一種更自由的當代氣息。

Must literati painting always embody lofty refinement, depicting landscapes, flowers and birds for personal feelings? Zhu Xinjian, on the contrary, collides traditional ink painting with Western expressionism, allowing female desire, life scenes, and daily life to enter the language of ink and brush, breaking people’s preconceived imagination about traditional ink painting and showing a freer contemporary ideology to “new literati painting”.

Continue reading →