投入三枚五元硬幣，就能從自動售貨機帶走一張香港小食水彩版畫——《Snapshots》把青年創作、互動藝術與公益行動，一起帶到坪洲。

Drop three HK$5 coins into a vending machine and take home a watercolour print of a Hong Kong snack—Snapshots brings youth creativity, interactive art and community action together in Peng Chau.

四位藝術家，同樣從中國文人畫傳統出發，卻走出了截然不同的道路。《傳統新象》匯聚陳家泠、姜寶林、盧輔聖與彭先誠的作品，回望他們自1980年代以來如何以各自的筆墨語言延續、轉化並拓展中國水墨，讓「傳統」不只是被保存，而是在不同世代中持續生長。

Four artists, one shared literati tradition, and four very different paths. Tradition Renewed brings together works by Chen Jialing, Jiang Baolin, Lu Fusheng and Peng Xiancheng, tracing how their distinctive approaches have continued to transform and expand Chinese ink painting since the 1980s. Rather than simply preserving tradition, their works show how it can continue to evolve across generations.

《風繼續吹》、《似水流年》、《分分鐘需要你》——我們熟悉的是鄭國江筆下的歌詞；這一次，不妨放下耳機，看看他如何把同樣的詩意寫進水墨與書法之中。

Wind Blows On, Years Flow Like Water, Need You Every Minute—we know Cheng Kok Kong through the lyrics that have accompanied generations. This time, put down your headphones for a moment and discover how the same poetic sensibility finds its way into ink and calligraphy.

初音未來可以被重新想像成多少種模樣？她作為創作歌聲的軟體，不但成為跨越音樂、插畫與流行文化的虛擬角色。如今，她更是走進當代藝術的展覽，在不同藝術家的筆下展現全新的面貌。 

How many different forms can Hatsune Miku take? She was originally a software programme that allowed users to create songs by entering lyrics and melodies, but she has gradually become a virtual character that moves across music, illustration and popular culture. Now, she enters the exhibition space of contemporary art, taking on new appearances through the eyes of different artists. 

夏天，是陽光與假期的季節。但在這片燦爛之下，藝術家看見的，還有一層更深的現實。

10號贊善里畫廊呈獻群展《熱浪》，匯聚二十位藝術家，以繪畫、攝影、雕塑、絲印版畫與紡織品，捕捉盛夏的蓬勃生機——同時提醒我們：氣候變遷從未遠離。展覽邀請觀眾把目光從數位螢幕移開，重新感受自然與人之間的共生關係。

Summer is a season of sunshine and holidays. But beneath this radiance, artists see a deeper reality.

10 Chancery Lane Gallery presents “HEATWAVE,” bringing together twenty artists across painting, photography, sculpture, silkscreen, and textiles to capture the vibrant energy of summer — while reminding us that climate change has never been far away. The exhibition invites us to look beyond our screens and reconnect with the fragile relationship between humanity and nature.

食譜只是教人煮菜的工具嗎？PMQ 味道圖書館全新企劃展覽「食譜藏珍」，由字字研究所出版人呂嘉俊擔任客席策展人，透過逾 20 部珍貴食譜，帶領觀眾從家常味道、歷史見證、大師料理與創意啟蒙之中，重新理解飲食背後的文化記憶與想像。

Are recipes merely tools for teaching us how to cook? PMQ Taste Library’s new exhibition, Recipes as Treasures, is guest-curated by Michael Lui, publisher of Word by Word Collective. Through more than 20 treasured cookbooks, the exhibition invites visitors to explore home cooking, historical records, master recipes and creative inspiration, opening up new ways to understand and imagine the culture behind food.

如果外星人不是從天而降，而是早已藏身於安檢站、候機廳與洗手間之中，你還能若無其事地登上下一班航班嗎？美國藝術家 Barminski 以紙皮打造一座 1:1 比例的星際機場，讓觀眾在熟悉的登機程序中，一步步進入充滿陰謀、幽默的旅程。

What if aliens are not descending from the sky, but have already been hiding in security checkpoints, departure lounges and restrooms? Could you still board your next flight as if nothing had happened? American artist Barminski builds a full-scale cardboard airport, guiding visitors through familiar airport routines and slowly into a journey filled with conspiracy and humor.

文人畫一定要表現清高，描畫山水和花鳥來寄情抒懷嗎？朱新建以傳統水墨碰撞西方表現主義，讓女性情慾、生活景致與世俗日常走進筆墨畫之中，打破人們對傳統水墨的既定想像，也展示了「新文人畫」一種更自由的當代氣息。

Must literati painting always embody lofty refinement, depicting landscapes, flowers and birds for personal feelings? Zhu Xinjian, on the contrary, collides traditional ink painting with Western expressionism, allowing female desire, life scenes, and daily life to enter the language of ink and brush, breaking people’s preconceived imagination about traditional ink painting and showing a freer contemporary ideology to “new literati painting”.

一座城市，兩種觀看的方式。弗朗西斯科·列蒂的畫是「遠距離大觀」——鮮明的色塊與層疊的構圖，將香港密集的天際線化為充滿節奏感的視覺詩篇。利馬天的拼貼是「近看城市的微觀」——碎片化的影像與數位重組，捕捉城市中容易被忽略的細節與記憶。兩位藝術家都受過建築學的專業訓練，卻走向了不同的創作路徑。但當他們的作品並列展出，你看到的，是同一座城市的兩種靈魂。”Genius Loci”——地方的精神與靈魂。這是他們聯展的主題，也是他們對香港的共同凝視。

One city, two ways of seeing. Francesco Lietti‘s paintings offer a “distant view” — bold colour blocks and layered compositions transforming Hong Kong’s dense skyline into rhythmic visual poetry. Martin Riese‘s collages offer a “close-up view” — fragmented images and digital reassembly capturing the details and memories of the city that are often overlooked. Both artists share architectural training, yet have taken different creative paths. But when their works are placed side by side, what you see is two souls of the same city. “Genius Loci” — the spirit and soul of a place. This is the theme of their duo exhibition, and their shared gaze upon Hong Kong.