Pluriversal Futures，多重宇宙的未來。香港知專設計學院（HKDI）與奧地利林茲電子藝術節（Ars Electronica）攜手呈獻2025至2026年度首個旗艦展覽，匯聚6位國際級Prix Ars Electronica得獎藝術家及本地新銳學生創作。從挪威的4米高機械人到香港動畫師的虛擬分身，從巴西的電玩遊戲到本地學生捕捉的城市花卉，這場展覽邀請你探索藝術、科技與社會交織的多元未來。

Pluriversal Futures brings together multiple visions of tomorrow. HKDI Gallery presents its first 2025-2026 flagship exhibition in collaboration with Ars Electronica, featuring 6 award-winning international artists from Prix Ars Electronica and local HKDI student talent. From a 4-meter Norwegian robot to a Hong Kong animator’s virtual clone, from Brazilian video games to local students’ urban flowers, this exhibition invites you to explore diverse futures where art, technology and society intertwine.

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蕭勤文獻庫——「希望之光」特展聚焦戰後華人抽象大師蕭勤的西班牙時期（1956-1959），展覽以精選作品與文獻，帶領觀眾穿越時空，見證一位21歲青年如何將東方哲思與西方現代主義，碰撞出永恆的藝術花火。這些早期創作不僅是藝術家七十年傳奇旅程的起點，更照亮了東西方藝術對話的嶄新路徑。誠邀您共赴這場關於文化融合的啟蒙之旅，探尋跨越時空的希望之光。

Hsiao Chin Archives – “The Light of Hope” Exhibition spotlights the pioneering Spanish period (1956-1959) of master abstract artist Hsiao Chin, where Eastern philosophy dynamically conversed with Western modernism. Through carefully selected works and archival materials, witness how the 21-year-old artist’s European journey ignited his seven-decade artistic quest, creating a brilliant bridge between cultural traditions. Join us in celebrating this milestone as we illuminate the enduring dialogue between East and West.

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城市的景象不只是生命的紀錄，更能帶我們與城市的「靈魂」交談，從而深層地反思社會價值。

City views are not just a record of life, but also help us with conversing with the city’s “soul”, and think deeply about the social values in our society.

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當代藝術家如何回應一位先驅的革新召喚？由資深策展人梁兆基策劃的「意境當代」展覽，匯聚香港及內地十一位藝術家的最新創作，以水墨、陶瓷、光影到新媒體，延續「香港新水墨運動」先驅呂壽琨突破傳統的精神，開拓屬於這個時代的藝術意境。

How do contemporary artists answer a pioneer’s call for innovation? Curated by veteran curator Leung Siu-kee, Eric, “Spirit in Flux” brings together the latest works by eleven artists from Hong Kong and Mainland China. Through ink, ceramics, light installations, and new media, they carry forward the boundary-breaking spirit of Lui Shou-kwan, trailblazer of the “Hong Kong New Ink Movement,” forging artistic conceptions for our times.

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安全口畫廊呈獻鄭婷婷個展「琥珀舞步」。展覽深入探索日常生活的細微節奏，藝術家透過畫筆將平凡時刻轉化為恆久的繪畫語言，邀請觀眾一同感受那些為心靈帶來寧靜與澄明的平凡儀式。

Gallery EXIT presents CHENG Ting Ting’s ‘Amber Steps’. The exhibition delves into the subtle rhythms of daily life, transforming ordinary moments into a lasting painterly language. Cheng focuses on simple, often overlooked rituals that provide calm and clarity, inviting viewers to discover the quiet resonance within our everyday steps.

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金馬影后李心潔闊別 18 年後，帶著首個香港個展回歸，以港式甜點為畫布，將童年記憶化作圓形藝術品，為觀眾呈獻一封寫給香港的甜蜜情書。

After 18 years away, Golden Horse Award winner Sinje Lee returns to Hong Kong with her debut solo exhibition, transforming beloved local desserts into circular artworks that celebrate the eternal child within us all.

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以超寫實繪畫驚艷藝術界的國際當代藝術家 Cj Hendry，這次不再執筆作畫，而是創作了一隻毛絨公仔。她首度推出 IP 角色“茱茱（juju）”，攜手富藝斯拍賣行在香港亮相。從紙上細膩筆觸到手中柔軟玩偶，Hendry 藉由這個長著兔耳朵、單眼被花朵遮掩的神秘角色，開拓出創作新境。

Cj Hendry, who stunned the art world with hyperrealistic drawings, isn’t drawing this time. She’s made a plush toy. The Australian artist debuts her first IP character “juju” in collaboration with Phillips Hong Kong. From precise lines on paper to a soft toy in hand, Hendry opens a new creative territory with a mysterious character sporting bunny ears and one eye hidden by a flower.

無人知曉茱茱從何而來，亦不清楚她是什麼生物；但正是這份神秘感，讓她充滿魅力。

No one knows where juju comes from or what creature she is. But that’s exactly what makes her captivating.

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這裡的貓與花不只是主題，更是關於「凝視」本身的詩意對話。這位英國藝術家約瑟夫・瓊斯的亞洲首次個展，以細膩筆觸捕捉香港街角的瞬間—陽台溢出的花朵、店舖前悄然的貓影—並透過獨特的打磨技法，在畫布上創造出影像與物料之間的微妙張力。每一幅小巧作品，都是對城市生活中那份脆弱與韌性的溫柔見證。

Cats and flowers are not merely subjects, but a poetic dialogue about the very act of looking. In this UK artist Joseph Jones’ first solo exhibition in Asia, delicate brushstrokes capture Hong Kong’s fleeting moments—blossoms spilling from balconies, cats lingering by shopfronts. Through a unique sanding technique, Jones creates a subtle tension between image and material on canvas. Each intimately scaled work stands as a tender witness to the fragility and resilience embedded in urban life.

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我們是否都曾在一個扭蛋機前駐足，期待著未知的驚喜？或是在鏡前反覆審視，追問著自我的模樣？「寵夢樂園」便是一場由藝術家梁麗雯以工筆畫技精心構築的夢境，邀請我們穿越古今，探尋這些問題的答案。在這裡，古代的貨郎擔與現代的格子店遙相呼應，唐代的豐腴仕女與當代的纖瘦身影在鏡中對望。這不僅是一場視覺的盛宴，更是一趟深入我們共同記憶與自我夢想的旅程，揭示那些承載我們期盼、定義我們身份的物件與空間，如何成為映照時代靈魂與個人內心的一面明鏡。

Have you ever paused before a gachapon machine, heart fluttering with anticipation for the unknown? Or stood before a mirror, searching for a glimpse of your true self? “Dolly Land” is a meticulously crafted dreamscape by artist Leung Lai Man, Jess, where she uses the delicate brushstrokes of Gongbi painting to guide us across time to explore these very questions. Here, a Ming Dynasty peddler’s stall converses with a modern consignment shop; the opulent figures of Tang court ladies gaze upon their slender, contemporary counterparts. This exhibition is more than a visual feast—it is a journey into our collective memories and most intimate dreams, revealing how the objects and spaces that hold our hopes and define our identities act as a mirror, reflecting the soul of an era and the inner landscape of the individual.

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不同的文化與呈現方式都能讓我們對城市的看法有所改變，生活中不重要的細節也能成為城市的透視鏡。

Different cultures and methods of the present could change our views towards the city, and even the insignificant details in life could become our scope to the city.

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