這裡的貓與花不只是主題，更是關於「凝視」本身的詩意對話。這位英國藝術家約瑟夫・瓊斯的亞洲首次個展，以細膩筆觸捕捉香港街角的瞬間—陽台溢出的花朵、店舖前悄然的貓影—並透過獨特的打磨技法，在畫布上創造出影像與物料之間的微妙張力。每一幅小巧作品，都是對城市生活中那份脆弱與韌性的溫柔見證。

Cats and flowers are not merely subjects, but a poetic dialogue about the very act of looking. In this UK artist Joseph Jones’ first solo exhibition in Asia, delicate brushstrokes capture Hong Kong’s fleeting moments—blossoms spilling from balconies, cats lingering by shopfronts. Through a unique sanding technique, Jones creates a subtle tension between image and material on canvas. Each intimately scaled work stands as a tender witness to the fragility and resilience embedded in urban life.

推介原因 WHY IT MATTERS

THE SHOPHOUSE 欣然呈獻英國藝術家約瑟夫・瓊斯（Joseph Jones）於亞洲的首次個展，探索影像、物料與注意力之間存在的張力。是次展覽帶來一系列嶄新的布面作品，延續瓊斯對貓和花的精微描繪與深思，藉着它們審視當代呈現的親密與距離。

THE SHOPHOUSE is pleased to present UK-based artist Joseph Jones’ first solo exhibition in Asia, exploring the tensions between image, material, and attention. The exhibition brings together a new series of paintings that continue Jones’s precise and contemplative depictions of cats and flowers – subjects through which the artist examines both the intimacy and distance of contemporary representation.

重點一覽 HIGHLIGHTS

1️⃣ 系列邏輯：影像的迴響與建構
瓊斯持續地創作小型布面作品，並以系列性的邏輯發展其畫作——在靜謐的結構下，影像於時間中迴響、溶解又重新確立。每幅畫作皆是獨特的存在，又同屬一個擁有廣泛重複性與差異性的系列整體。瓊斯的創作題材源自他所建立龐大的個人檔案，當中包含數千張收集而來的照片，雖植根於真實來源，卻往往以複合的方式重新呈現。他的作品雖喚起了靜物與肖像畫的傳統，卻超越了直接的傳記或現實主義，作用猶如記憶與原型、現實與夢境之間的反射。

Logic of Seriality: The Echo and Construction of Images
Working consistently at a small scale, Jones develops his paintings through a logic of seriality—a quiet system that allows images to echo, dissolve, and reassert themselves across time. Each painting holds its own distinct presence while also belonging to a wider constellation of repetitions and differences. Drawn from a vast personal archive of thousands of collected photographs, Jones’s subjects – though grounded in real sources – often emerge as composite constructions. His works, while recalling the traditions of still life and portraiture, move beyond direct biography or realism, operating instead like reflections that shift between memory and archetype, reality and dream.

2️⃣ 城市啟迪：注意力的肖像
瓊斯在最近一次到訪香港期間，被共生共存的自然與城市所吸引——花朵從陽台、公園和路邊花壇中溢出，貓隻則在密集的住宅街道與商店櫥窗中靜默普遍地存在。這些相遇為其作品帶來了新的敏感度：是為脆弱與韌性、靜止與律動、家庭與公共場所之間的對話。在這一語境下，其畫作可被解讀為注意力的肖像——關於關懷、觀察與適應如何在瞬息萬變的城市環境中持續存在。

Urban Inspiration: Portraits of Attention
In a recent trip to Hong Kong, Jones was drawn to the coexistence of the natural and the urban—the ways flowers spill from balconies, parks, and roadside planters, and the quiet ubiquity of cats within dense residential streets and shopfronts. These encounters informed a new sensitivity in his work: a dialogue between fragility and resilience, stillness and movement, domesticity and the public sphere. In this context, his paintings can be read as portraits of attention—of how care, observation, and adaptation persist within an ever-shifting urban environment.

3️⃣ 技法與哲學：表面與影像的張力
每件作品帶有一種獨特的印刷質感，藉由將顏料打磨至隱約呈現亞麻布紋理以成。清晰的塑膠彩基底使光線得以穿透並折射最初畫上的油層，使其產生視覺深度的同時抵抗幻覺主義。這種畫面與影像、幻覺與物料之間的相互摩擦，貫穿整個展覽，達成一種形式與哲學上的關注。

Technique and Philosophy: The Tension Between Surface and Image
Each work carries a distinct, print-like surface, achieved through a technique of sanding back the paint until the linen weave subtly reappears. The clear acrylic ground allows light to absorb and refract through early layers of oil, producing depth while resisting illusionism. This friction—between surface and image, illusion and material—threads through the exhibition as both a formal and philosophical concern.

4️⃣ 寧靜的共鳴：觀看作為反思
瓊斯的畫作寧靜而堅實，擁有一種僅屬於他引發的共鳴：讓空間中的觀看成為反思，平凡的影像被重新想像為既私密又共享的載體。

Quiet Resonance: Looking as an Act of Reflection
Quiet yet insistent, Jones’s paintings hold their own kind of empathy: a space where looking becomes an act of reflection, and where the ordinary image is reimagined as something both personal and shared.

背景 BACKGROUND

約瑟夫・瓊斯（Joseph Jones，1985年生於英國倫敦）於2010年取得倫敦皇家藝術學院（Royal College of Art）繪畫碩士學位。他專注創作以貓與花為主題的細膩畫作，探討關懷、共情與養育等細膩情感。瓊斯的作品尺幅小巧而細節精微，介乎肖像與靜物之間，既是自我反思的鏡像，也是窺見數位時代當代再現本質的窗口。他從個人龐大的收藏與共享照片檔案中擷取素材，以複合的方式建構畫面，從而中斷圖像的瘋狂傳播，轉而引導觀者進行緩慢的閱讀。藝術家運用多層次的創作技法——先打底、繪製，再打磨至亞麻布紋理隱約浮現——從而在畫面與影像、幻覺與物料之間建立一種張力。透過既細膩又飽和的用色，瓊斯暗示了再現的夢幻特質，以及照相寫實主義中非現實或超現實的質感。他以系列手法處理家常圖像，其創作語彙探討了感傷與執念之間的關係，並揭示信念結構與跨物種連結如何映照出我們自身的渴望。

Joseph Jones (b.1985, London, UK) received his MA in Painting from the Royal College of Art, London (2010). Jones produces detailed paintings of cats and flowers that explore sensitive notions of care, compassion, and nurture. Intimately scaled and meticulously detailed, Jones’s paintings sit between portraiture and still life, acting both as mirrors of self-reflection and windows onto the nature of contemporary representation in the digital age. Jones constructs his subjects from composites drawn from his vast archive of found and shared photographs, interrupting the frantic circulation of images to instead prompting a slower reading. Using a layered technique of priming, painting and then sanding back to expose the linen weave, the artist posits a tension between surface and image, illusion and material. Through a colour palette at once subtle and saturated, Jones implies the dream-like quality of representation, the unreal or surreal quality of photorealism. Working serially with domestic images, Jones’s vernacular explores the relationship between sentimentality and obsession, and how structures of belief and interspecies bonds might reveal our own longing.

小貼士 TIPS

即使初次接觸藝術，也請放慢腳步，近距離感受約瑟夫・瓊斯筆下貓與花的細微情緒與質感。

Even if you’re new to art galleries, allow yourself a moment of quiet looking—you might find a surprising connection to the delicate world of cats and flowers in Joseph Jones’s paintings.

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約瑟夫・瓊斯 Joseph Jones

日期 Dates
2025.11.1 – 2025.12.21

展覽時間 Opening Hours
星期⼆⾄日 Tuesday – Sunday 1100 – 1900 By appointment only

地點 Venue
香港大坑第二巷4號THE SHOPHOUSE
THE SHOPHOUSE, 4 Second Lane, Tai Hang, Hong Kong

圖片提供：約瑟夫・瓊斯、THE SHOPHOUSE｜Courtesy of Joseph Jones and THE SHOPHOUSE