城市的景象不只是生命的紀錄，更能帶我們與城市的「靈魂」交談，從而深層地反思社會價值。

City views are not just a record of life, but also help us with conversing with the city’s “soul”, and think deeply about the social values in our society.

 推薦原因 WHY IT MATTERS

又一山人在英國首次舉辦個人藝術展覽「soul and social」。展覽除了描繪了一條從外向的對社會價值的探索，更將映照出城市中禪意般的寧靜，讓觀者從外到內感受城市的精神。

Presenting the first art solo of Stanley Wong, aka anothermoutainman, “soul and social”. Other than displaying an external exploration to social values, it also reflects a Zen-inspired tranquility, letting viewers to feel the spirit of the city in and out.

重點一覽 HIGHLIGHTS

1️⃣對社會張力的深刻觀察

這些張⼒源⾃經濟變遷、觀念轉變與動態的社會⼒量。作品如「爛尾」系列，透過攝影凝視中國與亞洲各地未完⼯建築的殘影，所呈現的不僅僅是城市頹敗的紀錄，更是強⽽有⼒的視覺提問。這些影像，往往與當地居⺠⼀同⼊鏡，引導觀者直⾯無節制經濟野⼼背後的⼈類代價，從⽽對社會價值進⾏深層次的反思。

The Deep Observation towards the Society

The gallery’s ground floor will spotlight Wong’s reflections on social tensions triggered by economic and political change. The lanwei series presents a stark photographic study of abandoned, unfinished buildings across China and Asia. More than records of urban decay, these images—often featuring local residents—serve as powerful visual prompts. These images urge viewers to confront the human cost of unchecked economic ambition, and reflect on societal values.  

2️⃣人影退去，鬧市重歸寧靜

⼈影退去，取⽽代之的是如「再⽣花」與「我看花。便是花」系列中精⼼佈置的⾃然元素。這些構圖充滿淡泊安寧的氣息，呼應⾹港⽂學評論家、作家及電視主持梁⽂道對⼜⼀⼭⼈掌握禪宗精髓的觀察：藉着這等造作揭示造作之為造作，以造作毀棄造作，才是禪⾨⽂藝的要旨所在。這⼀演變並⾮對早期關注的否定，⽽是⼀種精神的昇華，彰顯⼜⼀⼭⼈始終如⼀地透過藝術的轉化⼒量探索⼈類經驗深度的堅定承諾。 

Tranquillity Returns As Human Figures Recede

Replaced by meticulously arranged natural elements in series such as reborn ikebana and i see ikebana. they are ikebana. These compositions, imbued with a sense of serene austerity, echo Hong Kong literary critic Leung Man-tao’s observation of anothermountainman’s ability to harness the essence of Zen Buddhism: to utilise forms to reveal their true nature and, ultimately, dissolve them. This shift is not a departure from Wong’s earlier concerns, but rather a spiritual elevation – a testament to his unwavering commitment to exploring the depths of human experience through the transformative power of art.

3️⃣禪宗佛學思想與佛教真⾔的啟發

展覽描繪了⼀條從外向的對社會價值的探索 – ⾃ 2001年起藝術家便以「social」為名 持續關注的主題 – 逐步過渡到更為內省的「soul」的精神世界。

The Inspiration from Buddhism

The exhibition focuses on the social and political themes that have shaped Wong’s work over the past two decades. Moreover, it also delves into his spiritual explorations, deeply informed by his conversion to Buddhism. 

4️⃣城市的生命，靈魂的對話

展覽提供⼀個獨特的機會，讓觀眾⾒證⼀個獨樹⼀幟的藝術視野的展開。這視野橋接了個⼈與政治、物質與精神，誠邀觀者與外在世界及內在世界展開深刻的對話。

Life of City, Conversation between Souls

The exhibition offers a unique opportunity to explore the unfolding of a singular artistic vision, one that bridges the personal and the political, the material and the spiritual, inviting viewers into dialogue with both the world around them and the world within. 

背景 BACKGROUND

⼜⼀⼭⼈（⿈炳培）是⼀位⾹港藝術家、攝影師及設計師，以其「紅⽩藍尼⿓帆布」系列作品⽽聞名。這⼀系列藝術作品以⾹港常⾒的購物袋為基礎，並於2005年第51屆威尼斯雙年展上展出。 ⿈炳培於1980年畢業於⾹港⼯業師範學院設計與⼯藝系。從事平⾯設計五年後，他開始了⻑達⼗五年的廣告事業，在亞洲多地擔任多個重要職位，並因其為⾹港地鐵（MTR）設計的廣告活動⽽獲得廣泛讚譽。在此期間，他採⽤了「⼜⼀⼭⼈」這個筆名，以致敬17世紀中國藝術家⼋⼤⼭⼈。他將這個筆名⽤於創作⾮商業⽤途的藝術作品。 2001年，⿈炳培開始創作名為「建設⾹港」的藝術系列，其 中最著名的部分是「紅⽩藍尼⿓帆布」系列。談到這⼀系列的創作動機時，⿈表示，該作品誕⽣於⾹港⽂化中充滿負⾯情緒的時代， 他希望藉此激發⼈們對⾹港⾝份的⾃豪感。 ⿈炳培在本地、地區及國際平⾯設計和廣告⽐賽中屢獲殊榮，其中包括在2011年⾹港藝術發展獎和2012年⾹港當代藝術獎中榮獲「最佳藝術家獎」。他舉辦過多次個⼈藝術與攝影展覽，並參與過多場聯展。 

Born in Hong Kong in 1960, Stanley Wong, also known as “anothermountainman”, is an artist, photographer, f ilm director and designer. He came to internaDonal a enDon with his Red White Blue series which was presented at the 51st Venice Biennale in 2005. The series invited Hong Kong people to search for a new, positive cultural identity in the wake of the 1997 handover. Considered one of today’s most influential creatives in Asia, Wong held leading positions in influential advertising companies before pursuing an artistic career. He was the first Chinese appointed Asia creative director at Bartle Bogle Hegarty, before becoming CEO of TBWA Hong Kong in 1999. During his 15 years in advertising, he masterminded some of the most iconic ad campaigns in the region (e.g. for Levi’s in Japan and the Hong Kong railways). In the early 2000s, he converted to Buddhism and started to create art and design under the pseudonym “anothermountainman”, as a tribute to the 17th-century Chinese painter, calligrapher, and poet Bada Shanren (shanren literal trans. “mountain man”). In 2001, Wong began working on the “Building Hong Kong” project, the most famous component of which was the Red White Blue series. Inspired by the humble red-white blue plastic fabric produced in Hong Kong since the 1960s (ubiquitous in carriage bags, street markets and construction sites), the series was created at a time when negative sentiment was rife in Hong Kong culture. Wong’s signature pattern offered a visual metaphor for resilience, dignity, and grassroots pride. Today, Wong’s work features in leading collections, including the V&A in London, the M+ and several other museums in Hong Kong. His artworks and designs have been shown in over 150 exhibitions across the world, including Art Basel and the Milan Design Week. Wong has also won multiple awards.

小貼士 TIPS

城市中總有一個與人心靈有迴響的角落，你又否有一個能與你展開心靈對話的角落呢？

There are always corners that echo with people’s hearts in the city. Do you have a corner that you could have spiritual conversations with?

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soul & social – ⼜⼀⼭⼈倫敦⾸次個展

soul & social – anothermountainman first art solo in London

日期 Dates

2025.11.21  – 2026.1.3

地點 Venue

倫敦⼥王道137號懷特利地下3號舖3812倫敦畫廊（W2 4DB）

3812 Gallery London

The Whiteley (Unit 3, G/F) – 137 Queensway, London W2 4DB

圖片提供：黃炳培、3812 Gallery | Courtesy of Stanley Wong, 3812 Gallery