我們是否都曾在一個扭蛋機前駐足，期待著未知的驚喜？或是在鏡前反覆審視，追問著自我的模樣？「寵夢樂園」便是一場由藝術家梁麗雯以工筆畫技精心構築的夢境，邀請我們穿越古今，探尋這些問題的答案。在這裡，古代的貨郎擔與現代的格子店遙相呼應，唐代的豐腴仕女與當代的纖瘦身影在鏡中對望。這不僅是一場視覺的盛宴，更是一趟深入我們共同記憶與自我夢想的旅程，揭示那些承載我們期盼、定義我們身份的物件與空間，如何成為映照時代靈魂與個人內心的一面明鏡。

Have you ever paused before a gachapon machine, heart fluttering with anticipation for the unknown? Or stood before a mirror, searching for a glimpse of your true self? “Dolly Land” is a meticulously crafted dreamscape by artist Leung Lai Man, Jess, where she uses the delicate brushstrokes of Gongbi painting to guide us across time to explore these very questions. Here, a Ming Dynasty peddler’s stall converses with a modern consignment shop; the opulent figures of Tang court ladies gaze upon their slender, contemporary counterparts. This exhibition is more than a visual feast—it is a journey into our collective memories and most intimate dreams, revealing how the objects and spaces that hold our hopes and define our identities act as a mirror, reflecting the soul of an era and the inner landscape of the individual.

推介原因 WHY IT MATTERS

「寵夢樂園」是香港藝術家梁麗雯以筆墨為橋樑，連接過去與現在、記憶與夢想而打造的夢幻展覽。本展覽透過三組作品的相互映照，邀請您一同探索：從古至今，那些承載我們期盼、定義我們形象的物件與空間，如何成為一面鏡子，映照出時代的靈魂與個人的內心圖景。

Dolly Land is a fantastical exhibition created by Hong Kong artist Leung Lai Man, Jess, who uses ink and brush as a bridge connecting past and present, memory and dream. Through three interwoven series of works, this exhibition poses a timeless question: how have the objects and spaces that carry our hopes and define our image—from ancient times to today—acted as a mirror, reflecting the soul of an era and the inner landscape of the individual?

重點一覽 HIGHLIGHTS

1️⃣ 展覽的起點：古畫的現代迴響
展覽的起點，源於一幅古畫的現代迴響。明代計盛的《貨郎圖》是市井風情的記錄。畫中貨郎擔子上琳琅滿目的雀鳥與玩物，點燃了孩童眼中最純真的光芒。他所販賣的，從來不只是商品，而是對新奇世界的想像與期盼。

The Starting Point: A Modern Echo of an Ancient Painting
The exhibition opens on a modern echo of an ancient painting. Ji Sheng’s Ming Dynasty work, The Peddler, records everyday life. The dazzling array of birds and toys on the peddler’s stand ignite wonder in children’s eyes — they are not merely goods, but anticipation for a novel world.

2️⃣ 《寵夢樂園》：從貨郎圖到當代玩具的時空穿越
《寵夢樂園》 正是這份精神的當代詮釋。梁氏將古代的雀鳥攤，轉化為今日都市中熟悉的格子店與扭蛋機；將昔日對珍禽異雀的好奇，投射於當下備受追捧的Art toy。這組作品完成了從「貨郎圖」到「寵夢樂園」的時空穿越，揭示了無論古今，我們總在物件中，寄託著夢想和因期待而悸動的童心。

Dolly Land: A Journey from “The Peddler” to Contemporary Toys
In Dolly Land, Leung reinterprets this spirit for the modern era, transforming these ancient stalls into consignment stores, gachapon machines and sought-after art toys. This series is a dialogue through time and space — regardless of the era, we project our dreams and expectations onto objects.

3️⃣ 《仕女系列》：審美流變中的自我追問
而夢想的形態，也體現在我們對自身的塑造上。本次展覽的《仕女系列》，便是一場關於女性審美與內在價值的探索。從周昉《簪花仕女圖》中唐代的豐腴華貴，到任熊《瑤宮秋扇圖》裡清代的清冷孤寂，直至當代以纖瘦為尚的多元標準，女性對“美”的追求從未止息。畫中現代仕女的服飾靈感源於古畫的石青衣飾，那一襲絲羅的輕盈飄逸與厚重衣料的垂墜端莊，分別承載著不同時代對溫婉柔美與獨立氣質的詩意定義。她們在鏡像中彼此凝視，探問著：在變換不息的審美標準下，那個真實的“我”究竟何在？

Ladies Series: The Eternal Quest for Self in Changing Beauty Ideals
The exhibition’s Ladies Series is an exploration of feminine aesthetics and intrinsic value. From the opulent fullness celebrated in Tang Dynasty works like Zhou Fang’s Court Ladies Wearing Flowers to the delicate, solitary grace of the Qing Dynasty seen in Ren Xiong’s Ladies with Fan in an Autumn Garden, and onto the modern diverse standards that often prize slenderness, the female pursuit of “beauty” has never ceased. They pose a poignant question: beneath the ever-shifting standards of beauty, where does the true “self” reside?

4️⃣ 「寵夢樂園」：工筆畫中的當代文化宣言
承載夢想的玩具與服裝的融合是藝術家特別打造的「寵夢樂園」。玩具區是藏匿珍寶的神秘花園，服裝區則是時尚的魔法門。從《貨郎圖》到《寵夢樂園》，我們看見了對外在世界「期盼」的傳承；從古典仕女到現代鏡像，我們見證了對內在自我「認同」的探求。這一切，皆以嚴謹的工筆畫技法娓娓道來。藝術家以一絲不茍的線條與層層渲染的色彩，將流行文化符號、現代人物肖像置入經典的藝術框架，這不僅是技法的傳承，更是一種文化態度的宣告：傳統並非標本，而是一泓活水，足以映照當下最鮮活的生活與最深層的情感。

“Dolly Land”: Gongbi Painting as a Living Tradition
This fusion of dream-laden toys and clothing culminates in the specially crafted Dolly Land, narrated through the meticulous techniques of Gongbi painting. With precise lines and layers of washed color, Leung places pop culture symbols and modern portraits within classic artistic frameworks. This is not merely a continuation of technique, but a cultural attitude: tradition is not set in stone, but a living spring, capable of reflecting the most vivid realities of contemporary life and our deepest emotions.

背景 BACKGROUND

梁麗雯於2015年獲香港浸會大學視覺藝術院一級榮譽學位，其後取得中國書畫及山水畫專業文憑，專精工筆創作，以細膩筆觸描繪人物群像見稱。她曾受香港藝術館委託創作大型水墨裝置《贏在起跑線》，並獲提名參與第61屆威尼斯雙年展等國際展覽。其作品曾展出於香港藝術展會、典亞藝博等重要平台，並獲香港藝術館、大學及私人機構收藏。

Leung Lai Man, Jess, a Hong Kong Baptist University visual arts graduate, specializes in gongbi painting characterized by intricate figure compositions. Her career highlights include a 2024 Hong Kong Museum of Art commission for the large-scale installation “Ready, Set, Go!”, selection for the 61st Venice Biennale (2025), and participation in major exhibitions including Art Central and Fine Art Asia. Her works are held in the collections of the Hong Kong Museum of Art, academic institutions, and private collectors.

小貼士 TIPS

請帶上一顆好奇心，在古今鏡像中尋找屬於自己的影子。

Bring a curious heart to find your own reflection in the mirrors of past and present.

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時空對話錄：梁麗雯個展「寵夢樂園」
A Playful Dialogue Through Space and Time: Leung Lai Man, Jess’s Solo Exhibition “Dolly Land”

日期 Dates
2025.10.30 – 2025.11.27

展覽時間 Opening Hours
上午11時 — 下午7時（逢星期日及一休息）
Tuesday – Saturday 11:00 – 19:00 (Sunday & Monday Closed)

地點 Venue
香港中環荷李活道10號大館3座2樓202室
Touch Gallery, Shop 202, 2/F, Block 3 Barrack Block, Tai Kwun, 10 Hollywood Road, Central, Hong Kong

圖片提供：梁麗雯、Touch Gallery｜Courtesy of Jess Leung Lai-man and Touch Gallery