一座城市，兩種觀看的方式。弗朗西斯科·列蒂的畫是「遠距離大觀」——鮮明的色塊與層疊的構圖，將香港密集的天際線化為充滿節奏感的視覺詩篇。利馬天的拼貼是「近看城市的微觀」——碎片化的影像與數位重組，捕捉城市中容易被忽略的細節與記憶。兩位藝術家都受過建築學的專業訓練，卻走向了不同的創作路徑。但當他們的作品並列展出，你看到的，是同一座城市的兩種靈魂。”Genius Loci”——地方的精神與靈魂。這是他們聯展的主題，也是他們對香港的共同凝視。

One city, two ways of seeing. Francesco Lietti‘s paintings offer a “distant view” — bold colour blocks and layered compositions transforming Hong Kong’s dense skyline into rhythmic visual poetry. Martin Riese‘s collages offer a “close-up view” — fragmented images and digital reassembly capturing the details and memories of the city that are often overlooked. Both artists share architectural training, yet have taken different creative paths. But when their works are placed side by side, what you see is two souls of the same city. “Genius Loci” — the spirit and soul of a place. This is the theme of their duo exhibition, and their shared gaze upon Hong Kong.

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從魔法書中的光影投射，到藏著香港故事的盲盒公仔；從《一千零一夜》的戲服，到1,000隻手繪橡皮鴨——香港知專設計學院（HKDI）年度設計展2026，正在將軍澳校園裡，上演一場屬於新生代設計師的創意革命。

From a giant magic book with projection mapping, to blind-box figures telling Hong Kong stories; from costumes inspired by One Thousand and One Nights, to 1,000 hand-painted rubber ducks — the HKDI Design Show 2026 is unfolding at the Tseung Kwan O campus, showcasing a creative revolution led by a new generation of designers.

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你有沒有試過，把「stressed」倒過來拼，會變成「desserts」？

一個字母不多，一個字母不少。只是順序改變了，意義就完全翻轉。這正是「迴語」（Semordnilap）的力量——在顛倒與重組之間，舊的結束成為新的開始。

香港藝術學院與澳洲皇家墨爾本理工大學合辦的藝術文學士畢業展2026，就以《迴語》為主題。 34位應屆畢業生，用50件作品——包括8件陶瓷、27幅畫作、7輯攝影作品及8件雕塑——回應這個關於轉變的命題。

Have you ever noticed that when you spell “stressed” backwards, it becomes “desserts”?

Not a single letter added or removed. Just the order changed, and the meaning is completely transformed. That is the power of “Semordnilap” — a linguistic phenomenon where reversal becomes a pivot, and endings become new beginnings.

The Bachelor of Arts (Fine Art) Graduate Exhibition 2026, jointly presented by Hong Kong Art School and RMIT University, takes “Semordnilap” as its theme. Thirty-four graduating students present fifty works — including eight ceramic pieces, twenty-seven paintings, seven photography series, and eight sculptures — responding to this proposition about transformation.

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從基隆到香港，從陌生到熟悉——台灣畫家王傑用半年時間、三趟旅程，以水彩和鋼筆記錄下他眼中的香港。這不僅是一場展覽，更是一個台灣視角對這座城市的深情凝望。

From Keelung to Hong Kong, from unfamiliar to familiar – Taiwanese artist Wang Chieh spent six months and made three trips, capturing Hong Kong through his eyes with watercolour and pen. This is not just an exhibition, but a Taiwanese perspective’s affectionate gaze upon this city.

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為慶祝《小王子》於法國出版八十週年，香港大學美術博物館與香港法國文化協會聯合呈獻《小王子與飛行員》特展——一場跨世代的盛會，引領觀眾走進作者安東尼·聖修伯里人生的主題旅程。透過展出珍稀照片、信件、地圖、個人物品、手稿及原版書籍，讓參觀者認識聖修伯里這位兼具家人、朋友、作家、畫家、航空先驅與探險家多重身份的傳奇人物。

In celebration of the 80th anniversary of the publication of The Little Prince in France, the University Museum and Art Gallery, The University of Hong Kong (UMAG), and the Alliance Française de Hong Kong jointly present The Little Prince and the Pilot—a multigenerational exhibition and thematic journey through the life of the author Antoine de Saint-Exupéry. Rare photographs, letters, maps, personal items, manuscripts, and original editions introduce visitors to Saint-Exupéry—a legendary figure who embodied many roles at once: family man, friend, writer, painter, aviation pioneer, and explorer.

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八位JCCAC年青駐村藝術家，首次走進一新美術館的咖啡室與禮品店，展出逾38件可供收藏的作品。這不僅是一場展覽——更是香港藝術新世代與觀眾之間的一次真實相遇。

Eight young JCCAC artists-in-residence step into the Sun Museum Café and Gift Shop for the first time, exhibiting over 38 collectable works. This is not just an exhibition – it is a real encounter between Hong Kong’s new generation of artists and its audience.

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在香港，我們習慣了「快」。快來快去、快速閱讀、快速下決定。但荔枝窩這條三百年歷史的客家村，偏偏教人另一種節奏——用泥土種植、用植物編織、用聲音與天地對話。由香港大學公民社會與治理研究中心主辦的藝術項目「以藝術說傳統智慧」，邀請三位藝術家帶領新晉創作者，走進這片自然沃土，以「泥土」、「植物」、「聲音」為媒介，把傳統智慧變成當代藝術，讓城市人重新學習「慢下來」的藝術。

In Hong Kong, we’re used to fast — fast walking, fast scrolling, fast decisions. But Lai Chi Wo, a 300-year-old Hakka village, teaches a different rhythm: planting with soil, weaving with plants, singing with the land. Presented by the Centre for Civil Society and Governance at The University of Hong Kong, the art project Celebrating Traditional Wisdom Through Art invites three mentors and a group of emerging artists to turn ancestral wisdom into contemporary art — and to remind city dwellers how to slow down.

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很多藝術家的非凡創意總是停在腦海裡——不是因為不夠好，而是因為欠缺一個讓它啟動的起點。由香港藝術中心發起的「Creators for Tomorrow」新一輪公開徵集，誠邀本地新晉藝術家、研究人員及策劃人，把創作理念轉化成可以推進、可以完成的提案，讓想像不只停留在靈感。

Many artists’ extraordinary ideas remain confined to their minds — not because they are not good enough, but because they lack a starting point to set them in motion. Hong Kong Arts Centre’s latest round of the ‘Creators for Tomorrow’ open call invites local emerging artists, researchers and curators to transform their creative concepts into proposals that can be developed and realised, ensuring that imagination does not remain merely a spark of inspiration.

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穿行於巴黎的工作室、沙龍與新舊觀念碰撞之間，每位藝術家都吸收了其中具有生成性的因素，同時在更深層次仍保持自身的藝術主體。由此呈現的，並非對現代主義的模仿，而是對其全球視覺語言的拓展與貢獻。一種悄然重新定義繪畫所能承載之物，以及其能夠顯現何種存在形態的實踐。

Moving through Paris’s studios, salons and debates, each absorbed what was generative while remaining, at the deepest level, themselves. What emerged was not an imitation of modernism, but a contribution to its global vernacular—one that quietly redefined what painting could hold and what forms of existence it might make visible.

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當快⾨按下，⼀個瞬間結束，同時亦開啟另⼀段過程。展覽《When The Shutter Closes》圍繞⼀個提問展開：按下快⾨是否就意味著影像的完成，抑或在定格之後仍持續延伸與轉變。

When the shutter closes, something ends — yet something else inevitably begins. In the exhibition, Ho considers whether a photograph ever truly reaches completion, or whether each image continues to unfold beyond the moment of capture.

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