2026年Art Basel Hong Kong 香港巴塞爾藝術展於3月 27–29 日在香港會議展覽中心舉行（25、26 日為預展）。

今年展會匯聚來自41 個國家與地區的 240 間頂尖藝廊，超過一半來自亞太地區，29 間藝廊更在香港設有實體空間。
從大型裝置到數位藝術、從藝術史脈絡到新銳創作，整個展會像是一座正在發生的全球藝術地圖。

Art Basel Hong Kong 2026 will take place at the Hong Kong Convention and Exhibition Centre from March 27–29, with preview days on March 25–26.

This year’s fair brings together 240 leading galleries from 41 countries and territories, with more than half coming from the Asia-Pacific region. Notably, 29 participating galleries maintain permanent spaces in Hong Kong, underscoring the city’s pivotal role in the contemporary art landscape.

From monumental installations to digital art, and from historical dialogues to emerging voices, the fair unfolds like a living map of the global art world in motion. Here are some of the highlights to watch this year.

全球藝廊齊聚 A Global Convergence of Galleries

240 間藝廊，勾勒亞洲藝術版圖。今年共有 32 間藝廊首次參展，來自日本、澳洲、韓國、大中華地區、歐洲與美國等地。其中備受關注的新晉藝廊包括：

• 燈塔彼方畫廊（東京）
• The Commercial（雪梨）
• Pilevneli
• Uffner & Liu（紐約）
• Galería Casado Santapau（馬德里）
• 1 Mira Madrid / 2 Mira Archiv（馬德里）

這些藝廊的加入，也讓展會呈現出 更年輕、多元的藝術面貌。

240 galleries shaping the Asian art landscape. This year, 32 galleries are participating for the first time, representing Japan, Australia, Korea, Greater China, Europe, and the United States. Their presence brings a younger and more diverse energy to the fair.

「藝聚空間」：大型裝置的沉浸現場 Encounters

藝術不只在展位，也在城市裡。

專為大型雕塑、裝置與表演藝術設立的「藝聚空間 Encounters」，今年由東京森美術館館長片岡真實 Mami Kataoka 領銜策展。展區將延伸至場館之外，與太古廣場合作呈現特別項目。其中包括藝術家 Christine Sun Kim 的場域特定數位動畫裝置。多位策展人共同策劃，也讓這個展區呈現出跨文化、多視角的策展語言，像是一場可走入其中的藝術實驗。

The Encounters sector, dedicated to large-scale sculptures, installations, and performance works, is curated this year by Mami Kataoka, Director of the Mori Art Museum in Tokyo. The exhibition will extend beyond the fair halls, with a special collaboration presented at Pacific Place. Highlights include a site-specific digital animation installation by Christine Sun Kim. Curated collaboratively by multiple curators, the sector embraces cross-cultural perspectives and fluid curatorial approaches, transforming the space into an immersive artistic environment.

數位藝術「Zero 10」

今年另一個焦點，是 數位藝術項目「Zero 10」首次登陸亞洲。

這個專為新媒體與數位藝術打造的全球策展計畫，繼 2025 年邁阿密首展後，在香港迎來亞洲首秀，匯聚 14 個參展單位。其中藝術家鍾愫君Sougwen Chung 將在現場創作一幅 10 米長的書法作品《RECURSIONS》。她以腦電波介面、生物辨識訊號與特殊墨水控制筆觸，讓傳統書法與人工智慧展開對話。這個展區提出一個耐人尋味的問題：當科技深度進入生活，藝術會長成什麼樣子？

Another major highlight this year is the Asian debut of “Zero 10.”

This global curatorial initiative dedicated to new media and digital art first launched at Art Basel Miami Beach in 2025and now arrives in Hong Kong with 14 participating exhibitors. Artist Sougwen Chung will present RECURSIONS (2026), creating a 10-meter calligraphic scroll live at the fair.

Using brainwave interfaces, biometric signals, and specially formulated inks, Chung merges traditional calligraphy with artificial intelligence, expanding a centuries-old artistic tradition into the technological present.

The project raises a compelling question: What does art look like when technology becomes deeply embedded in our everyday lives?

全新展區「藝路迴聲」 Echoes

2026 年最受期待的新展區之一，每個展位將呈現 不超過三位藝術家近五年的創作，讓觀眾能更深入理解藝術家的創作脈絡。作品形式非常多元：刺繡地圖、雕刻書籍、沉浸式裝置等。它們關注的主題也十分當代——全球化、記憶、身份、科技與社會變化。這個展區就像一個正在生成中的藝術現場。

One of the most anticipated additions in 2026 is the new sector Echoes.

Each booth will present up to three artists and works created within the past five years, allowing audiences to engage more deeply with artists’ current practices. The works span diverse formats—from embroidered maps and sculpted books to immersive installations.

Many explore themes central to contemporary life:
globalization, memory, identity, technology, and social transformation. Echoes feels less like a traditional fair section and more like a living snapshot of contemporary artistic thinking.

從藝術史到新銳創作 From Art History to Emerging Voices

展會同時設有多個經典板塊：

藝廊薈萃 Galleries
呈現世界頂級藝廊與重要藝術家。

藝術探新 Discoveries
聚焦成立十年內的年輕藝廊與新銳藝術家，充滿材料與敘事的實驗。

亞洲視野 Insights
回望亞洲現代與戰後藝術，重新梳理其歷史脈絡。

從 20 世紀藝術大師到最前沿創作，整個展會形成一場跨世代的藝術對話。

The fair also features several core sectors:

Galleries
Showcasing leading international galleries and established artists.

Discoveries
Highlighting young galleries founded within the past decade and emerging artists experimenting with materials and narratives.

Insights
Revisiting modern and postwar art from Asia, offering renewed perspectives on its historical and contemporary significance.

Together, these sectors create a dialogue across generations—from 20th-century masters to today’s most experimental practices.

藝術家陳惠立受瑞銀集團委託創作的裝置《靡靡摩摩池 Mimimomo Pool》。是一座大型圓形「無水泳池」，更是一座可以「慢下來」的泳池，以霓虹燈與馬賽克瓷磚構成。作品名稱源自粵語俚語「磨磨蹭蹭」，意指慢慢來。觀眾可以走入泳池，在喧鬧的藝術展會中暫時放慢腳步，甚至與陌生人互動。作品也提出一個有趣的問題：在公共空間裡，我們的私密感從何而來？

Commissioned by UBS, artist Phoebe Hui presents the installation Mimimomo Pool (2026). The work takes the form of a large circular, waterless swimming pool, constructed with neon signage and blue-purple mosaic tiles. Its title comes from a Cantonese onomatopoeic phrase suggesting lingering or taking one’s time. Visitors are invited to step into the pool—creating a moment to slow down, rest, and perhaps even interact with strangers amid the bustle of the art fair.

The work also raises a subtle question: How do we experience privacy within public space?

Art Basel Hong Kong已是一個「充滿活力的生態系統」。從策展模式的轉變，到公共參與的擴展，再到跨文化合作的深化，2026年的Art Basel Hong Kong正試圖回答一個更大的問題，在一個高度連結卻持續分裂的世界中，藝術如何重新構築關係？

Date: 2026.3.27 14:00-20:00 – 2026.3.29 12:00-18:00
Venue: 香港會議展覽中心｜ Convention & Exhibition Centre
香港灣仔港灣道1號｜ 1 Harbour Road, Wan Chai, Hong Kong