為未來一代,記錄現在香港 | Record the present Hong Kong, for the future generations

雖然說我們時常抱怨香港高壓的生活,但我們對這片彈丸之地可以說是又愛又恨;就算生活辛苦,但仍然熱愛這片土地。

Even though we complain about the stressful urban life in Hong Kong a lot, yet, people have a love-and-hate relationship with this small piece of land; life is tough, but it doesn’t affect our love for this piece of land. 

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從《春畫》中發掘人性 | Exploring human nature from SHUNGA

「這個系列是一面鏡,我希望觀者從中看到自己。過着有尊嚴和自尊的生活是眾人皆有的權利;我們有公民責任作出正當決定。我想展現出微笑行動為唇顎裂患者帶來的轉變。」 —— 西山瑞貴

“This series is a mirror. I want the audience to take a good look at themselves. Living with dignity and pride is a deserved right. It is our civil responsibility to make righteous decisions. I am showing the transformative impact [Operation Smile] offers.” —— Mizuki Nishiyama

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香港標誌,過去與現在對話|The Hong Kong Icon, A Conversion With the Past

過去與現在不是兩個點,而是一條線。過去與現在的交流,不只僅於教科書;許多香港藝術家對香港的過去,現在,與未來充滿這嚮往與想像。在一件過去的藏品身上,在創作者眼裡是一個又一個的故事;在香港藝術館展出的《原典變奏——香港視點》,14位香港藝術家共展出了14件精選館藏,各以現代的方式回應了過去香港不同的面貌。

Past and present, they are not two points, but lie on a line. The communication between the past and the present should be limited to textbooks. Many local Hong Kong artists are extremely curious and creative about the past, the present, and the future of Hong Kong. The exhibition “Classic Remix: The Hong Kong Viewpoint” at HKMOA included 14 collections of 14 Hong Kong artists, responding to different sides of the old Hong Kong with different modern ways. 

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香港,就是一個藝術題材| Hong Kong as an Art Genre

自1997年,香港是在地球上唯一一個執行一國兩制的城市;一國兩制,從根本上是一個實驗,沒有前車之鑑,亦沒有後事之師。這不單單只是政治層面上的一種生態,從民生,到藝術創作,都是一個陌生且獨特的環境。

Since 1997, Hong Kong is the only city on earth that operates “One Country, Two Systems”; this system is in fact an experiment in nature, there is no prior history nor reference to refer to, it is literally a new and experimental concept. This is not only regarding certain aspects of politics but also from daily lives to art creation, the system creates a strange and unique environment. 

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永恆形式: 羅啟妍珍藏設計家具|A CENTURY OF MODERN AND CONTEMPORARY DESIGN

作為一位來自香港而蜚聲國際的珠寶設計師、藝術歷史家及文化顧問,羅啟妍(Kai-Yin Lo)在珠寶設計界早已是經典的代名詞;她在藝術、文化和歷史上擁有豐厚的知識,融匯了東西方的傳統精髓,把中國的文化神韻注入設計,重新闡釋成極具時代感且適宜佩戴的珠寶飾物。想不到的是,她這種穿越古今、融匯東西的設計品味與美學,亦同樣反映在其設計家具珍藏上。

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十二畫廊,一展覽 | Twelve Galleries, One Exhibition

若你是一個貪心的觀眾,喜歡探索各個類型和不同媒體的藝術,必定不能錯過由香港畫廊協會於大館所舉辦的的UNSCHEDULED展覽。

If you recognise yourself as an insatiable audience, never tired of exploring arts of different forms and media, you cannot miss out the latest exhibition at Tai Kwun UNSCHEDULED  by the Hong Kong Art Gallery Association. 

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周俊輝筆下的香港人背影 | CHOW CHUN FAI’S HONG KONG “PORTRAITS FROM BEHIND”

2019年的最後六個月,讓周俊輝最為終身難忘和刻骨銘心。周俊輝的《背影》將他的所見所聞濃縮到小小的畫布,讓許多香港人身同感受。

In response to the events in the last six months of 2019, Chow Chun Fai condensed his experience and emotions into a series of small paintings: “Portraits from Behind”.

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