冬甩與貝果:幻想藝術工坊 | Donut and Bagel: A Fantasy Art Workshop

人類不斷攪合、搓揉,試圖以雙手創造出可以吸入周圍一切事物的深淵、通往其他空間的窗口、觀察用的放大鏡……

現在麵糰已經準備好,你可以將所有東西放進焗爐,然後我們一起踏上熾熱又濕潤的烘培旅程。

Humans are constantly stirring and kneading, trying to create an abyss that can suck in everything, a window to other spaces, a magnifying glass for observation…

Now that the dough is ready, you can throw everything in the oven. Let’s embark on a hot and moist baking journey together.

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再思光環:Kazy Chan的創意顛覆 | Rethinking Halos: The Creative Subversion of Kazy Chan

光環,一個象徵神聖的符號,通常被描繪成環繞神聖人物頭部的圓形或拱形光芒。然而,在香港藝術家Kazy Chan即將舉辦的個展《迴曲》中,這一符號被重新詮釋。Kazy通過對光環形象的扭曲重構,挑戰了那些常常抑制我們創造力和理解的固有觀念,期望觀眾能夠透過多種媒介的創作,重新審視他們對世界的看法。

A halo, a symbol of holiness, traditionally depicted as a circular or arched manifestation of light encircling the head of a revered figure. However, in the upcoming solo exhibition “The Twist of a Halo” by Hong Kong artist Kazy Chan, this symbol is reinterpreted. By challenging the fixed preconceptions that often stifle our creativity and understanding, Kazy distorts and reimagines this ethereal symbol through various mediums in hopes that viewers can reflect on the ever-changing nature of their perceptions and knowledge of the world.

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龍家昇和Labubu:藝術與趣味的完美融合 | Kasing Lung and Labubu: Explore the Whimsical World of Collectible Art

深入 龍家昇及其經典作品 Labubu 的想像世界。探索這個人見人愛的角色背後的故事、它的藝術旅程,以及它在收藏藝術文化中的地位。

Dive into the imaginative universe of Kasing Lung and his iconic creation, Labubu. Discover the story behind this beloved character, its artistic journey, and its place in collectible art culture.

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陳佩怡:跨越傳統與現代的膠彩藝術家| Chen Pei-Yi: Bridging Tradition and Modernity in Nihonga Art

來自台灣的藝術家陳佩怡,自大學時期便開始學習膠彩畫,並於2011年全力投入膠彩藝術創作。她的作品因為其技術的精湛和創新的視角,不僅在2011年獲得了國家文化藝術基金會的美術展覽補助,更被國立美術館和藝術銀行多次收藏,甚至遠及日本的平野美術館。近年來,陳佩怡以她與貓的日常生活為靈感來源,創作出一系列既細膩又真實的作品,這些作品打破了對貓的傳統可愛形象,並深入描繪了牠們的不同性格和情感。

Taiwanese artist Chen Pei-Yi began exploring the art of nihonga painting during her university years. By 2011, she had devoted herself entirely to the art of nihonga. Her works, celebrated for their exquisite technique and innovative perspectives, not only secured a grant from the National Culture and Arts Foundation in 2011 but have also been repeatedly collected by the National Museum of Fine Arts, the Art Bank, and even the Hirano Museum in Japan. In recent years, Chen Pei-Yi has drawn inspiration from her daily life with her cats to create a series of delicate and authentic works that challenge traditional cute depictions of cats and sincerely portray their personalities and emotions.

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超現實主義在香港 | SURREALISM IN Hong Kong

藝倡展出六位藝術家的作品,重點放在香港年輕女藝術家。其中包括水墨畫家卓家慧和張小黎;新銳藝術家蟻穎琳和梅傲雪,後者更是首次在商業畫廊展示其豐富多彩的夢幻紙上作品。另外還有兩位藝術家:香港著名雕塑家莫一新和國際雕塑家吳少湘。

Alisan’s exhibition features the works of six artists, with a focus on young Hong Kong women artists. They include ink painters Cherie Cheuk Ka-wai and Zhang Xiaoli; emerging artists Ant Ngai Wing-lam and Charlotte Mui, the latter who will be exhibiting her colourful mythological works on paper for the first time in a commercial gallery. The other two artists are well known Hong Kong sculptor Mok Yat-San and international sculptor Wu Shaoxiang.

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大華銀行年度水墨藝術大獎接受報名 | UOB ART IN INK AWARDS 2021 OPEN FOR SUBMISSIONS

大華銀行(香港)宣布「2021年大華銀行年度水墨藝術大獎」由即日起至2021年9月12日接受公眾報名。這項賽事於今年踏入五週年,大華銀行誠邀香港資深和新晉藝術家反思藝術與可持續發展之間的關係,攜手締造可持續的未來。

UOB Hong Kong announced that the 2021 UOB Art in Ink Awards is now open for submissions till 12 September 2021. This year, the fifth annual Awards, invites both established and emerging artists in Hong Kong to reflect the relationship between art and sustainability.

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香港藝術家筆下的香港老行業 | OLD BUSINESSES IN HK THROUGH EYES OF ARTISTS

香港,從前是一個小漁村, 在60、70年代經濟發展下各行業與生活融合了中西的元素發展出獨有的文化,如巷弄裡的士多、街邊的人力車、夜生活的舞廳及海上酒家等。

Economic development in the 1960s to 1970s evolved Hong Kong from a small fishing village to a confluence of Chinese and Western culture, with grocery stores in alleys, rickshaws on the streets, nightlife dance halls and floating restaurants.

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表現主義藝術家之死 | by 趙氏BABY

大環境小氣候中,相信還有美的可能,才不會被醜陋打敗。層疊的色彩恍若世界的重,率性的筆觸乍現生命的輕。斑斕的顏色和率性的筆觸,展現了藝術家對自然之美所感受的喜悅與真誠。耳聞即樂,目遇成色,心馳為愛。對周肅磐而言,這些都是他日接日、周復周,甚至是月連月、年延年,與周遭大自然觀照對話的色彩印記。

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