畫出一條線理應簡單。但如果它搖擺不定、掙扎反抗，或引向不可預知的境地呢？由Serakai Studio旗下的GOLD，以Tobias Berger策劃的展覽《CERTAINLY》揭開序幕。

A single line drawn should be simple. But what if it wobbles, fights back, or leads to the unknown? GOLD by Serakai Studio answers with CERTAINLY, curated by Tobias Berger

推介原因 WHY IT MATTERS

Serakai Studio 旗下的藝術空間 GOLD 正式揭幕,並以 Serakai Studio 共同創辦人暨策展總監 Tobias Berger 策劃的聯展《CERTAINLY》為首展。展覽靈感源自藝術家兼作曲家La Monte Young於 1960 年創作的開創性指令式配樂《Composition 1960 #10》,該作品僅包含單一指令:「畫一條直線並沿著它走」。

GOLD by Serakai Studio opens with CERTAINLY. Taking inspiration from artist-composer La Monte Young’s seminal 1960 instructional work Composition 1960 # 10, a score that consists of a single directive: “Draw a straight line and follow it.”

Santiago Sierra
250 cm Line Tattooed on Six Remunerated People
Espacio Aglutinador, Havana, Cuba
December 1999
Film, Performance, Photography
Image courtesy of Estudio Santiago Sierra and GOLD.

重點一覽 HIGHLIGHTS

1️⃣循線而行，步入未知 Following the Line into Uncertainty

看似簡單的指令,實則繁複——線條搖擺、抗衡、偏離,成為創造、決策, 以及塑造我們的不可預測之力的強大隱喻。在《CERTAINLY》中，此處境成為藝術實驗的催化劑，在掌控與自由、規劃與即興之間尋求平衡。是次展覽匯聚了不同面向的藝術家，其創作實踐或直面或隱晦地回應這種不確定性，將落差視為創造性力量而非脫序的失敗。

What appears deceptively simple quickly reveals itself as more complicated — the line wavers, resists, and deviates, becoming a potent metaphor for creativity, decision-making, and the unpredictable forces that shape us.  In CERTAINLY, this conundrum becomes a catalyst for artistic experimentation, negotiating the space between control and freedom, planning and improvisation. The exhibition brings together a diverse group of artists whose practices respond, directly and obliquely, to this condition of uncertainty, embracing deviation as a generative force rather than a failure of control.

2️⃣不確定之藝，由此延續 The Art of Uncertainty Continues

La Monte Young與其同時代的John Cage、白南準及小野洋子，在1950至1960年代模糊了藝術、音樂與日常生活的界線，徹底重塑了藝術實踐的可能性。他們以指令為基礎的作品主張過程、時間與生活體驗與形式及成果同樣重要。在《CERTAINLY》中，這些概念成為藝術實驗的催化劑，並探討不確定性引發的美好。

La Monte Young, like his contemporaries John Cage, Nam June Paik, and Yoko Ono, blurred the boundaries between art, music, and daily life in the 1950s and 1960s, radically redefining what artistic practice could be. Their instruction-based works proposed that process, time, and lived experience were as significant as form or outcome. CERTAINLY, continues this exploration into the beauty of uncertainties.

3️⃣不確定性的先驅者 The Pioneers of Uncertainty

參展藝術家包括白雙全(香港)、Lousy(香港)、張英海重工業(韓國/美國)、Santiago Sierra(墨西哥)、大竹伸朗(日本)、Peter Robinson(紐西蘭)及黃詠瑤(澳門)等。透過不同媒介與創作手法，每位藝術家皆探索了當系統、結構與預期開始瓦解時所衍生的創意空間，並回應了完美預測的不可行性。

Participating artists include Tozer Pak Sheung Chuen (Hong Kong), Lousy (Hong Kong), Young-Hae Chang Heavy Industries (Korea/US), Santiago Sierra (Mexico), Shinro Ohtake (Japan), Peter Robinson (New Zealand), and Weng Io Wong (Macao), among others. Across different media and approaches, each artist reflects on the impossibility of perfect predictions — and the creative space that emerges when systems, structures, and expectations begin to fracture.

4️⃣由直線到交匯：GOLD創意沙龍 From Lines to Intersections: GOLD Creative Salon

《CERTAINLY》為 GOLD 揭開序幕,並以此展覽確立該空間作為當代沙龍的定位。在此,制度所期待的「直線」被重新描繪為藝術、文化、社群與創意產業間活生生的對話。展覽的概念框架映照 Serakai Studio 的創立宗旨:意義深遠的文化進程,有賴對話、實驗、協作,以及對未知事物的開放態度,方能 深耕茁壯。Tobias Berger補充:「GOLD 被構想為一個意念實驗室—一個在視覺藝術、時尚、產品設計、表演藝術與音樂等領域之間,進行創作、展覽、呈現與對話的空間。在此,所有元素將在此產生對話和交織,並有時發生碰撞。 」

Opening GOLD with CERTAINLY establishes the space from the outset as a contemporary Salon. Here, the “straight line” of institutional expectation is redrawn as a living conversation between art, culture, community and creative industries. The exhibition’s conceptual framework mirrors the founding philosophy of Serakai Studio; that meaningful cultural progress thrives on dialogue, experimentation, collaboration and openness to the unexpected. Tobias Berger, “GOLD is envisioned as a laboratory of ideas — a space that produces, exhibits, presents, and plays between the genres of Visual Arts, Fashion, Product Design, Performative Art, and Music. Here all will converse, collude and occasionally collide.”

背景 BACKGROUND

坐落於香港最具創新精神的當代藝術區,黃竹坑的核心地帶，GOLD 將不確定性視為未來文化空間的必要條件，而非限制。GOLD 所在的地舖空間前身是銀行與珠寶店,在向其歷史致敬的同時，亦為文化場域開創嶄新可能。GOLD 作為兼具機構策展深度與獨立組織靈活性的文化實驗室,既是展覽場域，亦是概念孵化器,更是創意交流的匯聚點。透過結合藝術、時尚、音樂、設計與科技的項目，GOLD 體現了Serakai Studio 的核心信念：文化會在創意領域碰撞交匯之處蓬勃生長。

Situated in the heart of Wong Chuk Hang, Hong Kong’s most innovative contemporary art district, GOLD positions uncertainty not as a limitation, but as a necessary condition for cultural spaces of the future. Housed at street-level in a former bank and jewellery shop, GOLD pays homage to its past while reimagining new possibilities for cultural spaces. Combining the curatorial depth of an institution with the agility of an independent organisation, GOLD functions as a cultural test lab — part exhibition space, part concept incubator, and part gathering point for creative exchange. Through a programme that brings together surprising combinations of art, fashion, music, design, and technology, GOLD reflects Serakai Studio’s conviction that culture flourishes where creative disciplines collide.

小貼士 TIPS

一條直線看似簡單，卻充滿無限可能與偏差。你曾跟隨哪條「線」，通往意想不到的風景？

A straight line seems simple, yet brims with deviation and possibility. Which “line” have you followed to an unexpected place?

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探索不確定性的展覽《CERTAINLY》｜CERTAINLY, An Exhibition About Uncertainty

日期 Dates
2026.03.20 – 2026.05.03

展覽時間 Opening Hours
星期三至星期日 中午12時至晚上6時
12PM – 6PM (Wednesday to Sunday)

Special opening hours:
Saturday 21 – Sunday 29 March 2026: 10AM – 6PM Daily
Tuesday 24 March 2026: 10AM – 11PM

特別開放時間:
2026年3月21日(星期六)至3月29日(星期日)|每日早上10時至晚上6時
2026年3月24日(星期二)|早上10時至晚上11時

地點 Venue
香港黃竹坑黃竹坑道42號地下 GOLD
GOLD, G/F Remex Centre, 42 Wong Chuk Hang Road, Wong Chuk Hang, Hong Kong

圖片提供：藝術家、Serakai Studio｜Courtesy of the Artists, Serakai Studio