當少女的臉龐逐漸融化、碎裂、扭曲變形，這樣還能稱之為「可愛」嗎？來自京都的藝術家 Samehoshi 以作品給出了肯定的答案。在她的畫作中，原本完整的形體漸漸崩解，卻在這個過程中展現出一種全新的美感。可愛並沒有被摧毀或否定，而是在蛻變中展現了它的內面。
When a girl’s face gradually melts, fractures, and twists out of shape, can it still be called “cute”? Kyoto-based artist Samehoshi answers with a resounding yes. In her paintings, once-complete forms slowly disintegrate, yet through this very process they reveal an entirely new kind of beauty. Cuteness does not perish; rather, it undergoes a sea-change, into something rich and strange.
Samehoshi 畢業於武藏野美術大學油畫系，自 2016 年起開始以壓克力顏料與細密筆觸進行創作。她的作品圍繞「崩壞」與「生成」兩大核心概念，畫中的少女形象總是處於變化的中途，臉龐與身體的形態不斷崩塌又重組。這些畫作色調柔和，以淡粉、淺黃與藍綠色為主，搭配如髮絲般纖細的線條勾勒輪廓與細節。色彩之間的界線並不銳利，而是彼此交融、滲透，呈現出流動而不穩定的質感。在構圖上，少女的面容通常佔據畫面中心，四周環繞著飄散的髮絲或融化的形體，營造出既唯美又隱隱令人不安的視覺氛圍。
A graduate of Musashino Art University’s oil painting department, Samehoshi has been creating works in acrylic paint with intricate brushwork since 2016. Her art revolves around two core concepts: “collapse” and “genesis.” The girls in her paintings exist perpetually in mid-transformation, their faces and bodies constantly crumbling and reconstituting themselves. These works employ soft color palettes dominated by pale pinks, light yellows, and blue-greens, paired with hairline-fine strokes that trace contours and details. The boundaries between colors are never distinct but instead merge and permeate one another, creating a flowing, unstable texture. Compositionally, the girls’ faces typically occupy the center of the canvas, surrounded by scattered strands of hair or melting forms that generate a visual effect both ethereal and unsettling.
這種獨特的藝術語言，源自藝術家對日常中遺憾的細膩觀察。掉落的蛋糕、融化的冰淇淋、摔碎的盤子，這些看似不幸的事件，在 Samehoshi 眼中卻閃爍著特別的魅力。她認為，美好的事物即使失去了原本的樣貌，依然能在變形後展現另一種可愛。這份對「無常」的著迷，促使她選擇以「少女」為創作主題，那個在她心中最珍貴、卻再也回不去的存在。她筆下的少女面容往往模糊難辨，五官被線條分割、重組，遊走於具象與抽象之間。這種刻意的朦朧處理，強化了作品的情感張力，讓觀者在美感與崩壞之間徘徊。
This distinctive artistic language springs from the artist’s careful observation of regrettable moments in daily life. Dropped cakes, melting ice cream, shattered plates: these seemingly unfortunate events sparkle with a special charm in Samehoshi’s eyes. She believes that beautiful things, even when they lose their original form, can still display another kind of loveliness after transformation. This fascination with impermanence led her to choose “girls” as her creative subject, that most precious existence in her heart that can never be reclaimed. The girls’ faces in her work are often blurred beyond recognition, their features divided and reassembled by lines, hovering between the figurative and abstract. This deliberate haziness amplifies the emotional tension in her pieces, leaving viewers suspended between beauty and decay.
Samehoshi 的創作手法也同樣引人注目。她選擇壓克力顏料而非油彩，正是因為其快乾的特性，契合她自稱「極度健忘」的個性。對她而言，繪畫是記錄情緒的方式，必須在感受消逝之前迅速捕捉。那些密集交錯的細線並非事先規劃，而是在無意識的狀態下自然生成，如同一本視覺日記，記錄下每個無法被照片保存的瞬間。從技法上來看，她的線條帶有韻律與節奏，透過密度的變化引導觀者視線在畫面中游移。畫中的少女形象雖然正在崩解，卻因這些纏繞的線條而獲得新的結構與張力，形成一種既矛盾又和諧的視覺平衡。
Samehoshi’s creative process is equally compelling. She chooses acrylic over oil paint precisely because its quick-drying nature suits what she describes as her “extremely forgetful” personality. For her, painting is a way to record emotions, and it must happen quickly before feelings fade away. Those densely intersecting fine lines are not pre-planned but emerge naturally in an unconscious state, functioning like a visual diary that captures moments impossible to preserve in photographs. Technically speaking, her lines possess rhythm and cadence, with variations in density guiding the viewer’s gaze across the canvas. Though the girls in her paintings are disintegrating, these tangled lines give them new structure and tension, creating a visual equilibrium that is both contradictory and harmonious.
在 Samehoshi 的世界裡，崩壞並非終點，而是通往另一種美的路徑。她的作品提醒我們：美，不僅存在於完整與完美之中；變化與消逝，同樣值得我們凝視與珍惜。
In Samehoshi’s world, collapse is not an endpoint but a pathway to another kind of beauty. Her work reminds us that beauty exists not only in wholeness and perfection; change and disappearance are equally worthy of our gaze and appreciation.
圖片提供：Samehoshi @samehoshi | Courtesy of Samehoshi