畫布上的白瓷與流行符號:打破時空邊界的當代水墨綺願 | Pop Nostalgia on Porcelain: Lee Jong-Kie Reimagining Heritage on Canvas

當 Simpsons 與超人驀然踏出他們專屬的流行宇宙,漫步進韓國古老而寧靜的百年宮殿,會擦出怎樣的火花?藝術家李種琦(Lee Jong-Kie)在畫布上巧妙地調和了這場精彩的文化碰撞,引領我們走進一片斑斕的夢境,讓現代流行文化的懷舊情感與永恆的東方意蘊在此交融。

What happens when Bart Simpson and Superman step out of their universes and wander into the serene, centuries-old palaces of ancient Korea? Artist Lee Jong-Kie harmonizes this brilliant culture clash on canvas, inviting us into a vibrant dreamscape where modern pop culture nostalgia and timeless Eastern heritage beautifully collide.

Enchanted Pond
2019

韓國藝術家李種琦(@jongkie_lee)的藝術之路,走得既浪漫而又不循常理。他起初畢業於機械工程系,後來因聽從內心對創作的召喚,毅然考入首爾著名的弘益大學並取得繪畫碩士學位。在過去十多載深耕藝術的生涯中,李氏已舉辦過逾40場個展,更頻頻亮相於由首爾到紐約等國際藝術博覽會,以其獨樹一幟的視覺美學驚艷全球藏家。

Meet Lee Jong-Kie (@jongkie_lee), a South Korean artist whose path to the canvas was beautifully unconventional. Originally graduating with a degree in Mechanical Engineering, he later followed his true calling to earn a Master of Fine Arts in Painting from Seoul’s prestigious Hongik University. Over a thriving career spanning more than a decade, Lee has held over 40 solo exhibitions and become a celebrated staple at major international art fairs from Seoul to New York, captivating global audiences with his unique vision.

Enchanted White- Nevermind
2021
Enchanted White- Grape
2021

李氏標誌性的美學風格,將當代西方流行文化與東亞傳統文化遺產融合得恰到好處,既帶點詼諧,又極具療癒感。他擅長構築一片片寧靜而極簡的夢幻圖景,並以韓國歷史建築、細緻的朝鮮白瓷以及經典的「月亮罐」作為背景。在這些莊嚴肅穆、清幽靜謐的空間裡,卻安插了阿森一族、超人等大眾熟知的動漫與美漫巨頭。這些角色毫無違和感,反而像是一位位親切的旅人,在這片跨越時空與文化界限的和諧世界裡悠然探索。

Lee’s signature aesthetic is a whimsical, deeply comforting blend of contemporary Western pop culture and traditional East Asian heritage. He creates peaceful, minimalist dreamscapes where historical Korean architecture, delicate Joseon white porcelain, and iconic “Moon Jars” serve as backdrops. Inhabiting these sacred, serene spaces are beloved Western cartoon and comic giants like The Simpsons and Superman. Rather than feeling out of place, these characters act as friendly travelers, exploring a harmonious world where different cultures and eras beautifully collide.

Moon Jar
2023
Moon Jar 2
2022

李種琦主要以色彩鮮明飽滿的塑膠彩在畫布上創作,並透過獨特的「分層技法」來實踐他的視覺構想。他通常會先以細細的筆觸,描繪出傳統東方山水或陶器那清澈純粹、直擊心靈的質感;待這層傳統文化基底穩固後,再將平塗、高飽和度的流行符號直接畫入景致之中。這種創作手法帶有強烈的個人色彩,寄託了他深沉的童年記憶——將年少時看美國卡通、收集公仔的點滴回憶,自然而然地烙印、重疊在自身的本土文化根基之上。

Working primarily with vibrant acrylics on canvas, Lee uses a distinct layering technique to bring his vision to life. He begins by meticulously rendering the clean, soulful textures of traditional Eastern landscapes or pottery. Once that heritage foundation is set, he paints the flat, highly saturated pop icons directly into the scenery. This method is deeply personal, symbolizing how his childhood memories of watching American cartoons and collecting figurines have naturally overlaid onto his native cultural roots.

Enchanted White – Dragon
2022
Enchanted White – Painter
2024

時至今日,李種琦在當代藝術市場中正掀起一股席捲全球的熱潮。他備受讚譽的經典系列如《Enchanted White》與《Enchanted Planet》,之所以能觸動無數現代收藏家,正因為他以一種極具新鮮感且跨越地域限制的視角,探討了全球化與懷舊情結。透過在殿堂級的學院派美術與玩味十足的街頭流行文化之間架起橋樑,李種琦邀請我們每一個人,用色彩斑斕且充滿現代感的玩味視角,重新凝視傳統文化遺產。

Today, Lee is riding a massive wave of global relevance in the contemporary art market. His celebrated series, like Enchanted White and Enchanted Planet, resonate deeply with modern collectors because they explore globalization and nostalgia in a way that feels incredibly fresh and universally accessible. By bridging the gap between high-end academic fine art and playful street culture, Lee invites us all to look at heritage through a colorful, joyfully modern lens.

Chamber of King’s mother in the Palace,
2014
Docent
2019

圖片提供:藝術家|Courtesy of the Artist

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