他，是來自香港的自學藝術家；他，是長洲島上長大的漫畫少年；他，是筆鋒如刀、畫意如詩的「Man僧」—— Man Tsang。生於香港，Man僧在堆滿漫畫的家中找到了畢生的熱情。他兒時精力充沛，永遠坐不定，卻能在畫畫世界裡不眠不休、廢寢忘食。時間改變了這個男孩，但他對繪畫的熱情從未褪色。
He is a self-taught artist from Hong Kong; he is the manga-obsessed boy who grew up on the island of Cheung Chau; he is Man Tsang, whose brushwork is as sharp as a blade and whose artistry is profoundly poetic. Born in Hong Kong, Tsang found his lifelong passion in a house full of comics. An energetic child who could never sit still, he discovered an unwavering focus in the world of art, often immersing himself in drawing through sleepless, meal-less nights and days. While time has changed the man, his passion for painting remains undimmed.
他擅長精細的毛筆線條與複雜的手繪，遊走於水墨與數碼藝術之間。憑藉在香港漫畫製作的豐富經驗，他對行業有著深刻的理解。他的作品《0課特工》不僅榮獲第一屆「港漫動力」金獎，更再版多次，並成功銷往法國、意大利、馬來西亞等多個國家，更因此獲得迪士尼的青睞。
He specializes in fine-line brushwork and complex freehand drawing, moving seamlessly between ink and digital art. With a wealth of experience in Hong Kong comic production, his understanding of the industry is profound. His work, “The Zeros,” not only won the Gold Award at the first “HK Comics Support Programme” but has been reprinted multiple times and successfully sold to markets including France, Italy, and Malaysia. This very achievement caught the attention of Disney.
這份殊榮讓他最終站上了東京「Star Wars Celebration 2025」的舞台，官方宣布由他主理改編自雨果獎得主小說的《Star Wars: Thrawn》漫畫。當自己的作品出現在身後巨大的銀幕上，面對台下眾多星戰迷的歡呼，Man僧終於可以自豪地說：「我終於可以同人講，我畫緊漫畫！」
This honor ultimately led him to the stage at “Star Wars Celebration 2025” in Tokyo, where it was officially announced that he would be the artist for the comic adaptation of “Star Wars: Thrawn,” based on the novel by Hugo Award-winning author Timothy Zahn. As his artwork loomed large on the screen behind him and the cheers of Star Wars fans filled the auditorium, Tsang could finally proclaim with pride “I can finally tell people, I’m drawing comics!”
在人工智能崛起的時代，Man僧認為，這讓藝術家甚至人類感到被冒犯和可被取代。他相信，創作者必須更深入地挖掘其作品中獨一無二的「人性」。他的藝術，正是對這一信念的實踐——充滿港漫特色、筆觸細緻、栩栩如生，總能引起觀者的共鳴。
In the era of rising artificial intelligence, Tsang believes it makes artists, and even humans, feel insulted and disposable. He argues that creators must now push deeper into what makes their work uniquely human. His art is a practice of this belief—imbued with the characteristics of Hong Kong comics, meticulous in detail, and vividly lifelike, it always strikes a chord with the audience.
從《廢柴火龍傳》的噴火龍，到為運動員和明星創作的人像畫，再到與慈善機構合作的聯名T恤，Man僧的創作能量無處不在。他的畫筆，既致敬香港電影的輝煌，也為本地運動員喝彩，更支持著香港的動漫文化走向世界。
From the Charizard in “Spurned Charizard Chronicles” to his portraits of athletes and celebrities, and to his collaborative charity T-shirts, Tsang’s creative energy is everywhere. His brush pays homage to the glory of Hong Kong cinema, cheers for local athletes, and supports Hong Kong’s comic culture on its journey to the world stage.
圖片提供：Man僧｜Courtesy of Man Tsang