日本人氣插畫師富井雅子擅長運用大膽豐富的色彩塑造畫面，每幅作品中都能感受到顏色碰撞迸發的火花。

Japanese illustrator Tomii Masako is renowned for her bold and vibrant use of color, creating dynamic compositions where hues clash and spark with energy.

以商業漫畫家身份出道的富井雅子雖然熱愛漫畫，卻自覺不擅長構思故事，最終放棄了商業漫畫事業。後來受到出版社青睞，才開始從事插畫師工作，主要繪製書籍封面插圖。即使富井雅子已退出漫畫家行列，但過往經歷仍深刻影響著她現在繪製人物表情與動作的方式。

Initially debuting as a commercial manga artist, Tomii loved manga but eventually stepped away from the industry, feeling she wasn’t suited for crafting narratives. Later, she gained recognition from publishers and transitioned into illustration, primarily working on book cover art. Though she left her career as a manga artist behind, her experience continues to influence how she depicts characters’ expressions and movements in her illustrations.

日本插畫家富井雅子的作品用色極其大膽直接，雖然畫面中經常同時出現多種高飽和度的色彩，但這些色彩組合卻異常和諧。搭配她細膩精緻的線條刻畫，整體呈現出一種獨特而復古的版畫質感。

The works of Japanese illustrator Tomii Masako feature remarkably bold and direct color choices. While her compositions often incorporate multiple highly saturated hues simultaneously, these vibrant colors harmonize in unexpectedly balanced combinations. Paired with her exquisitely refined linework, the overall effect creates a distinctive retro woodblock print aesthetic.

富井雅子作品的鮮明特色之一，在於畫作中總能見到活潑可愛的小動物身影，以及她以細膩筆觸精心描繪的花卉、盆景與礦石。她的創作核心始終圍繞著「人類與自然萬物的對話」，透過畫筆捕捉生命間互動的溫暖瞬間，賦予作品獨特的敘事魅力。 富井雅子曾坦言，她對小動物懷有深厚的感情，生活中總有牠們相伴。「無法想像沒有這些小生命的日子該怎麼過。」她如此說道。對她而言，大自然就像一件歷經漫長時光雕琢的藝術傑作，植物與礦物最動人之處，在於它們天然形成的優美形態與獨特紋理所蘊含的詩意。每當置身自然之中，那些躍動的線條與斑斕的色彩，總能為她帶來源源不絕的創作靈感。

Tomii Masako’s works are distinguished by charming depictions of small animals, flowers, bonsai, and minerals. Her art explores “the dialogue between humans and nature,” capturing tender interactions with unique narrative warmth. As a lifelong animal lover, she says, “I can’t imagine life without these little creatures.” To her, nature is a timeless masterpiece—its plants and minerals inspire with their organic shapes and poetic textures. These natural forms constantly fuel her creativity.

《虹間色》是富井雅子於2023年在中國出版的首部個人作品集。本書精選收錄2020-2022年間創作的220餘幅作品，涵蓋少年少女、玉石瑪瑙、花草植物、小動物等題材，捕捉日常生活中的奇蹟瞬間。作品集以「日常生活的虹色幻想，人與萬物共生共榮；如璀璨寶石般定格的平凡時光，奇思妙想流淌於彩虹之間」為主題，展現了藝術家獨特的色彩美學。

“Rainbow Interlude” is Tomii Masako’s first personal art collection published in China in 2023. This carefully curated volume features over 220 works created between 2020-2022, capturing youthful figures, agate stones, flora and fauna, and miraculous moments of daily life. The collection embodies the theme: “A prismatic fantasy of the everyday, where humans and nature coexist in harmony; ordinary moments crystallized like gemstones, with whimsical imagination flowing between rainbows,”showcasing the artist’s distinctive chromatic aesthetic.

這本畫集收錄的作品數量多達兩百餘幅，時間橫跨2020至2022年，相當於每四五天就完成一幅新作。如此高產的個人創作頻率連富井雅子本人都坦言感到驚訝。她透露在2020年前後，自己曾進入近乎瘋狂的創作狀態，作畫速度比如今更快，只為不斷嘗試新的設計花樣，逐步確立個人獨特風格。為了最大限度吸引讀者，她持續在社交平台上高頻更新。由於每幅作品僅需30分鐘至2小時即可完成，這種創作節奏並未對日常生活造成太大影響。

This art collection features an impressive tally of over 200 works, spanning from 2020 to 2022 – equivalent to producing a new piece every four to five days. Such remarkable creative productivity even surprised Tomii Masako herself. She revealed that around 2020, she entered an almost manic state of artistic creation, working at an even faster pace than now, solely to experiment with new design variations and gradually establish her distinctive style. To maximize reader engagement, she maintained a high-frequency posting rhythm on social media platforms. With each artwork taking just 30 minutes to 2 hours to complete, this creative tempo didn’t significantly disrupt her daily life.

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Photo courtesy of the artist Tomii Masako