自2020年起，台灣插畫界逐漸涌現出一位萌系插畫家 — 子仙。她以其特有的萌系風格和幽默感，在藝術和商業插畫領域逐漸站穩腳跟。不論是被自己澱粉睏倒的打工人麵包，還是大叔的華爾滋，子仙的作品遠不止外表的可愛，其內含的幽默感和對生活的細膩觀察，使大家找到共鳴。

Since 2020, Taiwan’s illustration scene has gradually seen the rise of a “cute-style” illustrator—Joanie. With her unique, cute style and sense of humour, she steadily gained a foothold in art and commercial illustration. Whether it’s a sleepy worker overwhelmed by starchy bread or an old man’s waltz, Joanie’s works go beyond mere cuteness; her sense of humour and delicate observations of life resonate deeply with her audience.