走進一個用蠟筆勾勒的、色彩鮮活的世界，尋常的房間裡處處流動著未曾言說的親密——朋友們在一張歪斜的綠色躺椅上相擁，陌生人擠在撞色繽紛的撞球檯旁低聲交談。這就是 Pat Thomas 筆下那亂中有序的溫馨。這位倫敦插畫家堅持手繪，寧可留住那份粗獷與懷舊的感覺，也不要數位世界裡那種一絲不苟的完美。
Stepping into a vibrant, crayon-sketched world where everyday rooms pulse with unspoken intimacies—friends mid-embrace on a wonky green chaise, strangers huddled over billiards in a kaleidoscope of clashing patterns. This is the cozy chaos of Pat Thomas, the London illustrator whose hand-drawn scenes reject digital perfection for raw, nostalgic feeling.
Pat Thomas 是一位現居倫敦的插畫家與藝術家，1997 年出生於英格蘭的康沃爾郡。2020 年從坎伯韋爾藝術學院畢業後，這些年他一直專注於手繪蠟筆創作，畫的全是那種特別貼近日常、讓人會心一笑的人間片刻。他的作品總帶著一種懷舊的暖意，讓人感覺到人與人之間那份微妙的連結，卻又時不時冒出一點超現實的、鮮活跳脫的氣息。
Pat Thomas is a London-based illustrator and artist, originally from Cornwall and born in 1997. He graduated from Camberwell College of Arts in 2020, and these days he creates hand-drawn crayon works that capture these really intimate, everyday human moments. His style carries a nostalgic warmth and sense of human connection, laced with surreal, vibrant flair.
他起初做的是數位插畫工作，但沒過多久，便轉向手繪創作——靈感常常來自家中的舊照片，甚至翻出小時候用過的蠟筆，就為了捕捉那份安心又熟悉的記憶感。最近這幾年，他將心力投注在像《Room Tour》（2025）這樣的計劃上，把自己的插畫延伸成書籍與海報——在東倫敦一帶，偶爾就能看見這些海報的身影。
He started out doing fast-paced digital editorial gigs but soon pivoted to hand-drawn pieces, pulling inspiration from family photos and even his childhood crayons to bring out that sense of comfort and memory. Lately, he’s been pouring his energy into projects like Room Tour from 2025, turning his illustrations into books and posters—you can spot those posters popping up around East London.
Thomas 主要使用蠟筆與色鉛筆，他喜歡那種質感粗獷又鮮活的筆觸，也喜歡它們不怕留一點「不完美」的痕跡。他刻意避開數位工具，堅持在紙上留下真實而帶有瑕疵的線條。他的風格揉合了溫暖又繽紛的色彩，配上衝突的圖案、歪斜的透視，還有那些反覆出現、充滿表情的角色，自在窩在溫馨的室內空間裡。
Thomas works mostly with crayons and colored pencils, loving their raw, vibrant texture and the way they embrace imperfection. He steers clear of digital tools opting instead for authentic, flawed lines on paper. His aesthetic mixes warm, kaleidoscopic colors with clashing patterns, wonky perspectives, and these recurring, expressive characters hanging out in cozy interiors.
他的作品全憑一雙手慢慢堆疊出來，從家庭合照這些私人的畫面出發，構築出一幅幅既熱鬧又溫柔的場景。他喜歡層層疊上不同的質感，讓畫中的人物在有意無意之間相遇。在他的畫裡，經常可以看到色彩明亮的人物用溫柔的姿態彼此擁抱、聊天、發呆，周圍則圍繞著佈滿紋理的家具與物件——那種略帶超現實的家常氛圍，與濃得化不開的情感，細細看來，彷彿還帶著 Henry Moore 雕塑的沉靜，與 Florence Broadhurst 壁紙那種大膽又細膩的韻味。
He builds his pieces by hand, drawing from personal references like family scenes to create these chaotic yet gentle compositions, layering on textures and letting figures converge in meaningful ways. Key elements pop up consistently: bright figures in tender poses—hugging, chatting, lounging—surrounded by patterned furniture and objects that create a surreal domesticity and emotional closeness inspired by Henry Moore sculptures and Florence Broadhurst wallpapers.
圖片提供：藝術家｜Courtesy of the Artist
@patgthom