各種事物數碼化已成常態，但你又是否能將真實的自己從虛擬的世界中抽離？

It is common to see things getting digitalised nowadays, but can you separate your true self from the digital world?

 推薦原因 WHY IT MATTERS

「顏面何存」結合藝術與萬聖節，展出由多位藝術家創作的作品，透過多元媒體與觀眾互動。希望觀眾在探討身分與人類之間的灰色地帶的同時能反思和自省。

“The Faceless Behind the Mask” bridges the realms of art and Halloween, displaying works of various artists. Through mixed media, the exhibition not only aims to delves into the liminal spaces of identity and the human condition, but also to provoke thoughts and introspection.

重點一覽 HIGHLIGHTS

1️⃣充滿「雙面人」的世界

隨著時代進步，許多人都習慣了數碼化的生活。在網上，人們都有一個虛擬的身分，但隨著數碼化的普及，越來越多人沈浸在數碼海洋中，開始混淆現實與虛擬的身分。展覽透過沈浸式體驗，一個個的展品將成為觀眾反思和自省的一面鏡。

The World Full of “Double-faces”

With the evolution of time, many people are used to the digitalised life. Everyone has a virtual identity online, yet along with how common the internet is, more and more people are drowning in the digital ocean, causing them to confuse reality with the liminal space. Through the immersive experience, the exhibits act as a mirror for the audiences to introspect.

2️⃣古老的儀式，現代的現象

展覽的靈感來自萬聖節的古老儀式—人們會穿戴服飾以融入看不見的靈體中，以面具作為媒介，表達出偽裝與防護的雙重角色，同時藉此檢視人們在數碼世界與心理層面中充斥的轉變與欺瞞，從深度偽造的恐怖詭異，到心理裂痕所帶來的不安，為觀眾帶來一場關於身份、真實和虛構的深度對話。

Ancient Ritual, Modern Phenomenon

Rooted in the ancient rituals of Halloween, where costumes are donned to blend in with unseen spirits, “The Faceless Behind the Mask” explores the mask’s dual nature as both disguise and shield. This exhibition examines the transformation and deception that permeate our digital and psychological landscapes, from the uncanny artifice of deepfakes to the pervasive unease of mental fracture.

3️⃣國際知名與本地新晉藝術家們的舞台

展覽匯聚國際知名及本地新晉藝術家，透過裝置藝術、錄像、繪畫、混合媒體及互動體驗等多元作品，邀請觀眾重新思考「面具」背後的真我。重點展品包括來自曾代表香港參與第59屆威尼斯視藝雙年展外圍展本地藝術家徐世琪，以及榮獲 2025 年奧地利林茲電子藝術大獎的香港及紐約藝術家劉衛的作品。

The Stage of International Acclaimed and Emerging Local Artists

Curated to provoke thought and introspection, the exhibition features video, painting, mixed media, and installation works by both internationally acclaimed and emerging local artists. Highlights include works by Angela Su, who represented Hong Kong at the 59th Venice Biennale, and Lau Wai, winner of the Award of Distinction at Prix Ars Electronia 2025.

4️⃣探索「怪獸」之旅

法國著名編舞及舞蹈藝術家 Xavier Le Roy 將壓軸登場，表演作品「Monsters of Circumstance」，探索為掩飾人類恐懼而創造的「怪物」。

Journey of Discovering the “Monsters”

The exhibition culminates in the lecture performance “Monsters of Circumstances” by Xavier Le Roy, a renowned dance thinker, who will explore the monsters choreographed to mask human fears.

背景 BACKGROUND

Tomorrow Maybe始於2018年底，以香港作為根基發展一系列的展覽項目。位於Eaton HK，一個致力於當代文化交匯及社會創變的嶄新酒店平台內。Tomorrow Maybe為旅者展現了這城市的當代文化視野 ，同時亦也為那些對生活在香港的人提供一個細讀的素材。項目包括與香港藝術家合作的委約創作、國際藝術家以香港作為脈絡而創作的作品以及與年輕策展人合作的聯展等等。 

Tomorrow Maybe opened in late-2018 with a programme of exhibitions that takes Hong Kong as its starting point. Located in Eaton HK, a new hospitality company that marries social change with contemporary culture, Tomorrow Maybe offers a lens into the city for first time visitors and at the same time proposes nuanced readings into the familiar for those who have an intimate relationship to Hong Kong. Projects include new commissions by artists based in Hong Kong, works by international artists providing counterpoint perspectives into the city and group shows by young curators.

小貼士 TIPS

人在不同場景下可能會為自己設立一個「新」人格，你有曾否為自己創造一個「新人格」？人能偽裝，但不能沈迷，否則只會越來越迷失自我。

We might give ourselves a “new” identity in accordance with the situation. Have you ever created a “new personality” for yourself? We can pretend, but not get addicted to that, or else we will lose ourselves.

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顏面何存 | The Faceless Behind the Mask

日期 Dates

2025.10.17 – 2025.11.16

地點 Venue

 香港逸東酒店4樓 Tomorrow Maybe

Tomorrow Maybe, Eaton HK

圖片提供：陳翊朗、劉衛、徐世琪、梁琬琪與 Daniel Felstead、黃雅珊及楊秀卓、Xavier Le Roy、Eaton HK | Courtesy of Oscar Chan, Lau Wai, Angela Su, Jenn Leung, Daniel Felstead, Ailsa Wong, Ricky Yeung, Xavier Le Roy, Eaton HK