2025 年，10 號贊善里畫廊呈獻第 14 屆《香港起動》群展。一眾年輕藝術家生於安逸，卻長於變革，力求從藝術創作中表現自我本色，向世界傳達多元信念。你準備好感受他們不斷變化與革新的巨大力量了嗎？

10 Chancery Lane Gallery presents the 14th edition of HKFOREWORD in 2025. A group of emerging artists born in stability is faced with transformative growth, seeking to express their original colours and communicate diversity to the world through creation. Are you ready to experience their immense power of change?

👆 封面圖片 Featured image: 徐曉瑜 Jocelyn TSUI, Analog Glitch, 2025, 藝術家書籍，孔版油印 Artist-book, risograph (完整圖片連結 Link to full image)

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推介原因 WHY IT MATTERS

《⾹港起動 25》呈現了 12 位新銳藝術家對變⾰時代的多元回應。他們的作品 —— 從⼤學校園到社會的轉變過程中創作⽽成 —— 成為⼀種容器，⽤以處理不同⽣活經歷所帶來的情緒。透過多元的藝術媒介，他們探索⾃身，直⾯社會，並最終在變化的世界中塑造⾃⼰的敘事。

HKFOREWORD25 showcases the diverse responses of twelve emerging artists to these transformative times. Their art — created during the transition from university to society — becomes a vessel for processing the anxieties of a life lived between places. Through diverse artistic mediums, they explore their cultural heritage, confront societal pressures, and ultimately, shape their own narratives in a fluid world.

重點一覽 HIGHLIGHTS

1️⃣ 區卓勳的作品《房⼦之外》靈感來⾃ John Hejduk 的建築詩學，即房屋並非住所，⽽是⼀種載體，⽽我們需要想像當房屋的結構鬆動時，這將在情感和理論層⾯帶來怎樣的後果。作品中⼤膽的原⾊和暈染喚起歡樂、趣味和時光流逝的感覺，⽽被詩意解構的建築碎⽚為觀者帶來開放式的解讀。作品也反映了區氏⾛向⾃由創作的藝術旅程。

Inspired by John Hejduk’s architectural poetics, Frankie Au’s Where the Wall Ends transforms the house into a vessel for emotional and theoretical exploration of what happens when those structures juxtapose with child-like imagination, when the rigidity of architectural training gives way to intuition and spontaneity. Bold primary colours and soft washes evoke joy, playfulness, and the passage of time, while architectural fragments become poetic constructs open to interpretation. The work reflects Au’s journey towards creative liberation.

2️⃣ 陳卓霖的作品《⾺戲團》靈感來⾃著名⾦匠 Johann Melchior Dinglinger 創作的⾦器， 融入了奢華的意象和明亮的筆觸，並重新審視主流的歷史敘事。

Tiffany Chan’s The Circus encourages viewers to reconsider manipulated historical narratives, incorporating luxurious imagery and luminous brushstrokes inspired by Johann Melchior Dinglinger.

3️⃣ 羅苑櫻的作品《Rain Dogs》靈感來⾃美國創作歌⼿ Tom Waits 的同名歌曲，它使⽤「⾬狗」—— 迷失⽅向、無法回家 —— 的隱喻來探索流離失所和遷徙。畫⾯描繪⼀個漂泊者在暴風⾬的海⾯上划船，帶著⼀尊破碎的雕像，象徵身份認同的脆弱以及在逆境中⼈類的韌性。這件作品將烏克蘭難民、⾹港移民以及在混亂和不斷變化的世界中航⾏的普世⼈類經驗聯繫起來。

Lola Law’s Rain Dogs, inspired by American Singer-songwriter Tom Waits’ song of the same title, uses the metaphor of a rain dog — lost and unable to find its way home — to explore themes of displacement and migration. The painting depicts a drifter rowing through a stormy sea, carrying a broken statue, symbolising the fragility of identity and the resilience of the human spirit in the face of adversity. The work draws connections between the experiences of Ukrainian refugees, Hong Kong emigrants, and the universal human experience of navigating a chaotic and ever-changing world.

4️⃣ 徐曉瑜的作品《Analog Glitch》是⼀本藝術家書籍，來⾃她成長於⾹港的經歷 —— 在這個擁擠的城市，每個⼈彷彿都緊緊相貼。作品通過印刷、切割和摺疊，反映⼈類⽣存空間的壓縮和解放，以及對秩序和控制的渴望。作品名稱參考了美國作家 Legacy Russell 的理論，她指出 Glitch（故障）被⽤作物體不正常運作的重要指標，但故障遠不⽌在物體上，它無處不在 —— 印刷品、電⼦螢幕、身體和機器。

Jocelyn Tsui’s Analog Glitch is a compelling artist’s book created through a process of printing, cutting, and folding. The meticulous nature of the process mirrors the human desire for order and control, while the inherent imperfections and glitches in the work reflect the anxieties and uncertainties of a technologically driven world. Tsui’s work references Legacy Russell’s concept of the glitch as an indicator of something gone wrong, highlighting the pervasive presence of glitches in our lives — on paper, on screen, in our bodies, and in machines.

背景 BACKGROUND

此次展覽由 10 號贊善⾥畫廊創辦人戴天利及余穎茵共同策劃，分享多位生於 80 至 00 年代、中港兩地年輕藝術家的獨特經驗和成果，呈現⾹港藝術新氣象。

Co-curated by Katie de Tilly, founder of 10 Chancery Lane Gallery, and Yoyo Yu, this exhibition offers a fresh perspective on artistic development in Hong Kong, revealing the inspirations and concerns that drive a new generation of both local and Mainland creators born between the 1980s and 2000s.

10 號贊善⾥畫廊位於中環⼤館的後牆，旨在探索和推廣亞太區藝術家，並積極推動⽂化藝術在⾹港的交流。

Situated along the back wall of the Tai Kwun Heritage and Cultural site in Central, 10 Chancery Lane Gallery specialises in promoting contemporary art from the Asia-Pacific and cultural exchanges in Hong Kong.

畫廊致⼒為⾹港藝術界注入新鮮空氣，秉持藝術能啟迪⼼靈、開闊思維、並影響我們看待⾃⼰和世界的角度，與亞太地區的藝術家、策展⼈和機構進⾏緊密合作，堅信藝術不僅僅是掛在牆上的飾品，更是我們內⼼深處和世界的⼀扇窗。

The gallery is committed to giving a breath of fresh air to the Hong Kong art scene by bringing works that can expand horizons, open minds, and view the world, and life in general, through varying eyes, ideas, and souls. It is founded on the belief that art is not just decoration for our walls but a connection with our deep inner selves and the world around us.

小貼士 TIPS

這是一場變革力量無窮的群展！在變與不變之間，藝術家的身份應何去何從？他們的作品又讓你看見一個怎樣的世界？

Experience a powerful group show about transformation! How is artistic identity shaped in the midst of change, and how do these works move you to see differently?

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🇭🇰 香港起動 25
HKFOREWORD25

日期 Dates
2025.8.28 – 2025.10.4

地點 Venue
香港中環蘇豪區贊善里 10 號地下
G/F, 10 Chancery Lane, SoHo, Central, Hong Kong

圖片提供：藝術家與 10 號贊善里畫廊｜Courtesy of the artists and 10 Chancery Lane Gallery