在平凡的超級市場裡，你能看見什麼？日本藝術家山川はるか (Haruka Yamakawa) 以獨特的視角，將日常場景轉化為充滿想像力的奇幻樂園。她的作品融合童趣的筆觸與超現實的幽默，讓超市貨架上的商品、購物車裡的戀人，甚至套著薯片包裝的摔角手，都成為她筆下鮮活的主角。不局限於畫布，山川はるか更透過陶藝創作，為她的幻想世界增添立體維度。一起走進她天馬行空的藝術宇宙，重新發現生活中被忽略的驚喜！

What do you see in an ordinary supermarket? Japanese artist Haruka Yamakawa transforms mundane scenes into a whimsical wonderland through her unique perspective. With playful strokes and surreal humor, she brings to life grocery shelves, lovers in shopping carts, and even wrestlers donning chip bags as masks—all vibrant protagonists in her imaginative world. Beyond canvas, Yamakawa extends her creativity into ceramics, adding a tactile dimension to her fantasies. Step into her dreamlike universe and rediscover the hidden magic of everyday life!

山川はるか於1993年出生於東京，畢業於多摩美術大學平面設計系，曾於廣告製作公司任職，後成為自由插畫家。近年以「超級市場」為主題創作繪畫與陶藝作品。

Haruka Yamakawa was born in Tokyo in 1993. Having graduated from Tama Art University’s Graphic Design Department, she worked at an advertising production company before becoming a freelance illustrator.

疫情期間，當普通人忙著囤廁紙時，山川はるか卻在加拿大超市裡發現新大陸。每週一次的採購成了她的「尋寶遊戲」——膨化食品的包裝是現成的朋克頭套，冷凍櫃的霧氣藏著愛情故事。她說：”在末日感瀰漫的日子里，超市是最有人情味的劇場。

During pandemics, while others hoarded toilet paper, Yamakawa went treasure hunting in Canadian supermarkets. “Those weekly grocery runs felt like the last alive places,” she recalls. Frozen food sections became stages for human dramas, and chip bags – readymade superhero masks.

乍看之下，她的畫作充滿童趣色彩和古怪角色，喚起兒時的純真回憶。但細品之下，作品探討著更深層的主題——身份認同、匿名性和社會慣例。例如反覆出現的「零食包裝摔角手」形象，暗示著現代人在生活中戴著不同面具生存的方式。她的創作完美證明：快樂與深思可以並存。

At first glance, her paintings burst with playful colors and quirky characters, evoking childhood nostalgia. Yet beneath the surface, she explores profound ideas—identity, anonymity, and social rituals. The recurring “chip bag wrestlers” motif, for instance, reflects how people wear different masks in daily life. Her work proves joy and introspection can coexist.

山川はるか的藝術從不故作深沉。購物車裡接吻的情侶？變成零食包裝的顧客？這些荒誕卻迷人的場景讓觀眾會心一笑的同時，也質疑著現實的界線。她的風格融合了普普藝術與超現實主義，將商業美學與夢幻敘事完美結合。

Yamakawa’s art doesn’t take itself too seriously. Lovers kissing in a shopping cart? A shopper morphing into a snack bag? These absurd yet charming scenarios make viewers smile while blurring reality’s boundaries. Her style blends pop art and surrealism, marrying commercial aesthetics with dreamlike narratives.

儘管用色鮮明，她的部分作品隱含著一絲寂寥——空蕩的貨架、戴著面具的人物、孤獨的購物者。這其實是對現代消費文化的溫柔批判：人們被物質包圍，情感卻愈發疏離。這種雙重性讓她的藝術引發多層次共鳴。

Despite vibrant colors, some works carry subtle loneliness—empty aisles, masked figures, solitary shoppers. This quietly critiques modern consumer culture, where material abundance coexists with emotional disconnect. This duality makes her art deeply resonant.

山川はるか不只描繪超市，她將這個空間轉化為人類經驗的縮影——充滿幽默、神秘和隱喻。無論透過繪畫或陶藝，她的作品都邀請我們重新審視周遭，在平凡中發現魔法。

Haruka Yamakawa doesn’t just depict supermarkets; she transforms them into microcosms of human experience—full of humor, mystery, and hidden meaning. Whether through paint or clay, her work invites us to rediscover the magic in the ordinary.

More About the artist: Haruka Yamakawa

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