《南行覓跡 : M+藏品中的東南亞》是西九文化區 M+展亭 (M+, West Kowloon Cultural District) 第一次以特定地理區域為主題的展覽，以跨領域的方式，探索東南亞的歷史與文化。展覽展出70件作品，由28位來自九個東南亞國家，以及香港、荷蘭和美國等的現代藝術家、設計師和建築師創作，呈現由不同國家和領域的人對東南亞的陳述。雖然藝術家運用不同藝術表達方法，包括視覺藝術、流動影像、設計與建築等，但作品都和東南亞的生活式式相關。他們透過藝術和設計，回應對所身處國家的特殊情況和問題，例如氣候、歷史、政權和全球化的影響等。

展覽的跨領域和跨國界藝術館藏，能向大眾展現不同東南亞國家的異同，凸顯東南亞是一個含有多元文化的區域，從而打破大眾對東南亞區只有一個單一故事的狹隘想法。

In Search of Southeast Asia through the M+ Collections is M+’s first exhibition to concentrate on a particular geography, namely the Southeast Asia, and use an interdisciplinary lens to investigate the complex history and culture in this region. This exhibition has presented 70 works that are created 28 artists, designers and architects from 9 Southeast Asian countries, Hong Kong, Netherlands, Sri Lanka, and the US, so as to demonstrate the narrations of Southeast Asia varies in the eye of people come from different nations and disciplines. Although the artists have used distinct types of art, which includes visual arts, moving image, design, and architecture etc., all their artworks are related to the daily life in Southeast Asia. Through the art and design, the artists comment on the specific conditions and problems about the country they lived in, for example, the climate and history, as well as dealing with the issue of politics and globalization.

The approach of showcasing the interdisciplinary and transnational items in this exhibition can reveal the similarities and variations of different countries in Southeast Asia. Additionally, it highlights that Southeast Asia is a region with vast and diverse cultural practices.

「南行覓跡 : M+藏品中的東南亞」

“In Search of Southeast Asia through the M+ Collections”

Date:

2018.6.22 – 9.30

Time:

Wednesday – Sunday and public holidays 11:00 – 18:00

Venue:

M+, West Kowloon Cultural District

香港九龍西九文化區 M+展亭

M+ Pavilion, West Kowloon Cultural District, Kowloon

Source: M+, West Kowloon Cultural District

 

Eko Nugroho，《無題》，2010年，黏貼裝置 Eko Nugroho, Untitled, 2010, Paste-up installation

(Left) 陳彥翰，《點點娘惹 ‧ 倒》，2015年，人工樹脂及粉末塗層金屬 Hans Tan, Spotted Nyonya: Pour, 2015, epoxy resin and powder-coated steel (Middle) 陳彥翰，《點點娘惹 ‧ 無蓋器皿》，2011年，噴砂 Hans Tan, Spotted Nyonya: Vessel with Cover, 2011, sandblasted porcelain (Right) 陳彥翰，《點點娘惹 ‧ 燭台》，2011年，噴砂 Hans Tan, Spotted Nyonya: Candle Holder, 2011, sandblasted porcelain

Simryn Gill，《森林 #11》/《森林 #4》/《森林 #16》，1996至1998年，銀鹽照片 Simryn Gill, Forest #11 /Forest #4 /Forest #16, 1996-1998, gelatin silver print

(Left) Paul Rudolph，《新加玻某酒店項目(1979年)研究草圖》，1979年，炭筆及木顏色紙本 Paul Rudolph,’ Study sketch for a hotel (1979), Singapore’, 1979, graphite and coloured pencil on paper (RIght) Paul Rudolph，《印尼雅加達大馬集團總部大廈外部透視圖（1983–85）》，1984年，墨水牛皮紙本 Paul Rudolph, ‘Exterior Perspective, Wisma Dharmala Sakti (Intiland Tower) (1983–85), Jakarta, Indonesia’, 1984, ink on vellum

Sopheap Pich，《複合物》，2011年，竹、藤、膠合板、金屬線 Sopheap Pich, Compound, 2011, bamboo, rattan, plywood, and metal wire

(Left) 法屬印度支那旅遊局，《法屬印度支那紅河三角洲 》，約1930年，石版印刷紙本 The Office indochinois du tourisme,’ Tonkin Delta, L’Indochine française’, ca. 1930, stone lithography on paper (Right) 荷屬東印度旅遊資訊局，《來爪哇和峇里一遊》，約1930年，照相石印紙本 The Official Tourist Information Bureau of the Dutch East Indies, ‘Visit Java and Bali’, ca. 1930, photolithography on paper

陳益，《WERK：Exhibition海報》，2002年，柯式石印紙本 Theseus Chan, Poster, WERK: Exhibition, 2002, offset lithography on paper

書梅春塞，《泰國曼谷亞洲銀行總部（1983至1986年 ） 》，1990年，塑膠 Sumet Jumsai, Presentation model, Bank of Asia Headquarters (now United Overseas Bank Bangkok Headquarters) (1983–1986) , 1990, plastics

石家豪，《吳哥大樂隊》，2004年，水墨設色絹本 Wilson Shieh Ka-ho, Angkor Quartet, 2004, Ink Art Painting

WOHA 建築事務所，《新加坡達士敦坪組屋建築設計比賽（2001年）模型》，2001年， PVC、亞加力、聚碳酸酯及塑膠 WOHA Architects, ‘Model, Duxton Plain Housing Competition (2001), Singapore’, 2001, PVC, acrylic, polycarbonate, and other plastics