在一個被數位雜訊淹沒的世界，想像透過沾滿雨跡的窗戶凝望——層層顏料如濾鏡般，篩濾流轉即逝的記憶，將其融入大自然朦朧的懷抱，讓孤獨化為感官的呢喃。舟橋磨里乃邀請觀眾走進她的畫作，那些畫作宛如依稀記得的夢境，讓人在其中重構隱而未見的詩意。

In a world drowning in digital static, imagine peering through rain-streaked windows where layered pigments filter fleeting memories into nature’s hazy embrace, turning solitude into a sensory whisper. Marino Funahashi invites you into her paintings that seems like half-remembered dreams, to reconstruct the unseen poetry within.

推介原因 WHY IT MATTERS

日本新晉藝術家舟橋磨里乃（Marino Funahashi）將於香港迎來她的首次海外個人展覽——「FILTER: Reconstructing the Unseen」。藝術家循著回憶、時間與自然的軌跡，將JPS畫廊化作觸及心靈的藝術棲息地，每一幅承載著回憶與孤寂的畫作，正打造一場身臨其境的感官之旅，引領觀眾短暫抽離外界的喧囂與資訊的洪流。

In an era saturated with digital noise and the constant circulation of information, JPS Gallery Hong Kong presents “FILTER: Reconstructing the Unseen,” the first overseas solo exhibition by emerging Japanese artist Marino Funahashi. Rooted in her ongoing exploration of memory, time, and the natural world, Marino’s paintings turn the quiet, often solitary act of remembering into an immersive, sensory experience.

重點一覽 HIGHLIGHTS

1️⃣披沙揀金 · 無形 Filtration and the Reconstruction of the Unseen

展覽的核心在於「提煉」，即是對剎那光影與殘留印象的重塑。舟橋磨里乃樂於捕捉生命軌跡中被篩選、編輯與重構的回憶，並以此為創作靈感，勾勒出極具詩性之美的畫作，讓記憶餘韻在心靈殿堂裡久久迴盪。她不求直白復刻自然之貌，而是追求更為純粹的「自然之真」。在她的藝術語境裡，情緒的起伏先於文字的剖白，感官的悸動重於言語的定義。於是，記憶不再是時間軸上定格的刻度，而是歷經感官交疊與情緒淬鍊後，無可替代的歲月沉澱。

At the heart of this evocative exhibition is the idea of filtration—the subtle reconstruction of experiences and impressions that have slipped from view. Drawing on her interest in how lived experiences are sifted, edited, and reshaped over time, Marino creates paintings that function as both quiet meditations and dynamic visual essays on the ambiguities of memory. Rather than depicting nature directly, she seeks to restore a more primal, “natural state” of perception, where sensations are felt before they are named. Memory appears not as a single, frozen scene but as a shimmering accumulation of overlapping time.

2️⃣萬物和鳴 · 絮語 Where Plants, Light, and Paint Conspire

受其畫家父親的影響，舟橋磨里乃自幼便與自然親密相依，這份羈絆為她後續的創作埋下細膩而感性的種子。她的工作室綠意環繞，光影、空氣與四季更迭，都滋養著這方微型生態系統，也時刻牽動她的感官敏銳度。她棲身其間，讓創作成為她與自然永無休止的對答。顏料在畫布上層層堆疊，畫布不再只是靜默的載體，而是與筆觸和色彩相輔相成，落筆提筆之間，是回憶在歲月的長河中不斷重疊、交織、暈染的模樣。

Raised by a painter father in an environment deeply connected to nature, Marino brings an instinctive, organic sensibility to her practice. Her studio—dense with living plants—functions almost like a small ecosystem, where light, air, and seasonal shifts quietly tune her attention. This sensitivity extends to the canvas, where her process becomes a sustained dialogue with the surface. Layer upon layer, she weaves colour and texture into compositions in which the canvas is not a passive ground but an active counterpart. Pigments, marks, and materials gather and respond to one another, echoing the way memories layer, blur, and reorganise themselves over time.

3️⃣浮光掠影 · 迷離 Through the Rain–Blurred Glass: Windows of Remembering

雨水是孕育萬物的生命之源，亦是時間流逝的唯美隱喻。舟橋磨里乃專為本次展覽創作的「RAIN—Window」系列，將雨視為創作母體，無疑是本次展覽的核心靈魂。她通過對雨窗的不斷觀察，將降雨的千變萬化，如密度排列、朦朧倒影、悶幽雨聲和無拘擴散等，悉數詮釋在畫布上。藉由獨特的表面處理技巧，畫作既保留玻璃般的冰涼質感，又瀰漫出輕薄的水霧氤氳，巧妙地呈現隔著雨跡，凝望窗外景象的視覺體驗。這些若即若離的作品讓人產生難以言喻的熟悉共鳴，亦無形地塑造出遺世的空靈之境。

Among the standout works created specifically for this exhibition, the RAIN–Window series anchors the presentation. Here, rain becomes both a motif and a metaphor for the passage of time. Recognising water as a force that sustains plants and humans alike, Marino translates the mutability of rainfall—its shifting density, glimmering reflections, muffled sounds, and slow diffusion—into her paintings. By applying surface treatments that evoke the cool tactility and blur of glass, she stages encounters with the everyday experience of looking through a rain‑streaked window. The works hover between abstraction and suggestion, holding just enough trace of reality to feel uncannily familiar while remaining resolutely atmospheric.

4️⃣境由心生 · 餘韻 Where Memory Meets the Eye

與其講述既定的敘事，不如讓觀眾以各自的回憶詮釋動人故事。不立文字，直指本心，在完全拆解萬千思緒之前，色彩、形狀與紋理已經在感知世界中自由穿梭。舟橋磨里乃深信，這種思想並非源於畫作單方面的輸出，而是觀眾與藝術之間的心領神會。誠如藝術家所言：「我希望作品所描繪的瞬間，能在觀眾的心中留下一個微小卻堅定的空間。」這場展覽將打開內心深處的冥想之門，讓散落的記憶碎片悄然淬鍊成永恆的心靈寶藏。

Rather than delivering fixed narratives, Marino invites viewers to encounter her works as sites of personal recall. Colours, forms, and textures appear as presences that are felt before they are fully understood, allowing each person to discover their own inner resonances. She believes that certain kinds of introspection do not arise solely from the paintings but from the charged space between the viewer and the painted surface. “I hope that the fleeting moments depicted in the works will remain with visitors as something small yet certain,” she notes. “FILTER: Reconstructing the Unseen” offers an intimate experience in which the residue of memory is quietly distilled into something unexpectedly and enduringly tangible.

背景 BACKGROUND

舟橋磨里乃出生於日本愛知縣，自幼由擔任畫家的父親撫養，這種家庭背景促使她在早年便對藝術萌生濃厚興趣。她在武藏野美術大學完成學業，並獲得空間設計碩士學位。踏入二十多歲，她以模特兒身份進入創意領域，但隨後逐漸轉型為專業藝術家。至2022年，她開始積極展出自己的藝術作品，參與個人展覽及聯展，並接受大量委託，為樣品屋、酒店及辦公空間設計藝術品。她的創作核心理念「以自然描繪時間」深受其家庭園林傳統的影響，且常以自然景物作為靈感來源，以半三維繪畫形式予以表達。在當今可以長期保存物質的時代背景下，她追求以藝術反映一種模糊且非物質化的存在感受，試圖在觀者的潛意識層面引發深刻的情感共鳴。

Born in Aichi Prefecture in 1989, she was raised by her father, a painter, which sparked her early interest in art. She earned a master’s degree in Spatial Design from Musashino Art University, where she created three-dimensional works, including stage designs. In her 20s, she initially worked as a model before making the transition to becoming an artist. In 2022, she began to exhibit her work, participating in both solo and group exhibitions, while also completing numerous commissioned works for model rooms, hotels, and offices. Her artistic concept, “Depicting Time Through Nature,” is inspired by her family’s tradition in landscaping. She expresses this concept through semi-three-dimensional paintings, using natural elements as her muse. In an era where objects can be vividly preserved, she aims to reflect the impression of an ambiguous, immaterial existence and evoke a deep resonance in the viewer’s subconscious.

小貼士 TIPS

在畫作前駐足，讓雨跡氤氳的層次篩濾記憶，化作永恆的共鳴。

Pause before the paintings and let their rain-blurred layers sift your memories into timeless resonance.

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Marino Funahashi 舟橋磨里乃個人展覽: “FILTER: Reconstructing the Unseen”

日期 Dates
2026.03.20 – 2026.04.18

地點 Venue
JPS 畫廊 香港
香港中環士丹頓街88-90號地下

JPS Gallery Hong Kong
G/F, 88 – 90 Staunton Street, Central, Hong Kong

圖片提供：舟橋磨里乃，JPS 畫廊｜Courtesy of Marino Funahashi, JPS Gallery